Stoopid

DeRank ™: 1,01

DeAge™ : 7384 days • Here since 23 march 2006

M. Ward Post-War

4 mar 08

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Damn, only one comment for M Ward?? Not good.. It’s likely his most complete work, but for me the most beautiful remains "End of Amnesia". He’s definitely a top-tier artist, everyone agrees on that.

Your review lives and dies in the last question, as well as in the implied answer, far more disturbing than all the empty little monsters that haunt our time. Although my girlfriend is a fan of horror movies, I've managed to avoid this trap so far. Thinking about the ticket price for two, alongside travel, parking, popcorn, and coffee, I've dubbed it "30 euros of darkness." Where is the new Carl Theodor Dreyer to bring me a "Vampyr" back to theaters? Of course, we know the answer—goodbye to all.

Red Temple Spirits Dancing to Restore an Eclipsed Moon

15 feb 08

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Great album, if I'm not mistaken originally pressed in 500 (!) copies, today impossible to find. In short, a gem, if there ever was one. I also think there's something of the Cure, although not exactly the ones from Lullaby, yet the album claims its own absolute and brilliant originality, along with a strong reference to the concept of liquefaction. At least that's what I feel when I listen to my favorite track, "When Merlin Played." Listen, listen again, listen once more.

Park Chan Wook Old Boy

12 feb 08

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I liked the review too, but I also believe that the masterpieces are others, without a doubt.

Ingmar Bergman Il settimo sigillo

12 feb 08

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There is a common thread that links Zappatore and The Seventh Seal, the analogy of the spade with the number seven. As for the artistic value, I leave the pen to the professional critics. In any case, these are two films that, for different reasons, I have loved to see reviewed. As for this page, it is certainly polished, light, and accurate. But too accurate; between the lines, one struggles to find that absolutely immaterial suggestion that constitutes all its value. In other words, Max Von Sydow is indeed "expressive," but so is Merola ;) Antonius Block is absolutely suspended between life and death, and what is drawn on Von Sydow's face is one of the most moving representations of torment that cinema has given us. In some cases, pathos is everything, as Merola teaches.

Fabrizio De André Non Al Denaro, Non All'Amore Né Al Cielo

5 feb 08

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I mean, I want to say: in a vor-ti-ce of dust, others saw drought. How immense is this syllabication, there's dust swirling, dried by time, and all the nostalgia of the universe, and this music doesn't resonate in your lines, not at all.