mista

Concise and explanatory, the right balance between the overly enthusiastic first review that appeared and the very severe j'accuse from the publisher. Even though it’s a duplicate, in my humble opinion, it makes sense.

What a movie, by the way, referring to a chat about dubbing from a few days ago, a film that's absolutely a must-see in its original language! Tarantino's dialogues are definitely untranslatable. I would like to understand to what extent it is "anything but original," because my limited knowledge of cinema really doesn't allow me to grasp it, Poletti illuminate me!

Catchy and easily accessible rock music, something that very few know how to write in Italy, and played quite well too. I would say it's really not bad for a group of teenagers. A promising debut whose success will make them unpopular with many. In my opinion, had they debuted with just one Grande sasso, by now they would enjoy much more consideration from the harsh critics that populate the web.

Excellent reception, really excellent! The movie is awesome... in the original language, the "you never take me down" (or something like that) is unforgettable, said with a muffled and slurred voice by the great Bob.

I have never seen it, but given the theme, I would say it’s a must-watch for an aspiring lawyer like myself, so I will take care of it. Great review by the way.

Ehhh, the lack of time and money is music's worst enemy, tell me about it! Good luck anyway...

Oops, I reposted the comment again... sorry!

Hey know-it-all, I briefly listened to your work, and I’d like to share my first impression. You definitely demonstrate strong compositional skills; the harmonies and melodies of the pieces are very refined and often interesting, and there is clear evidence of a desire to experiment and seek out complex and non-trivial compositional and melodic solutions. Setting aside the fact that - as you might gather from my music - I don’t share your stylistic choices regarding the structure and length of the pieces, the main issue with the work is definitely the production. No offense, but everything sounds like a midi file; you definitely should have invested more in finding better samples (bass, drums, piano, violins primarily). Furthermore, the work sounds overall a bit lacking in dynamics, precisely due to the scarcity of played instruments or a limited mastery of electronic sounds. At the compositional and arranging level, you’ve really done an admirable job (especially considering your young age), but it’s a shame the result suffers severely from the production. If you want a piece of advice, I would try to "rearrange" your compositions and have them performed by a real band (indeed, the most beautiful parts are those where you play too); your music would surely benefit from it. Of course, I reserve the right to revise my initial opinion. Regards, dear namesake.

Hey know-it-all, I gave your work a brief listen, and I’d like to share my first impression. You definitely show great compositional skills; the harmonies and melodies of the pieces are very intricate and often interesting, and it’s clear that you have a desire to experiment and search for complex and non-trivial compositional and melodic solutions. Regardless of the fact that – as you might glean from my music – I do not share your stylistic choices regarding the structure and length of the pieces, the main issue with the work is undoubtedly the production. No offense, but everything sounds like a midi-file; you surely should have invested more in finding better samples (bass, drums, piano, violins first and foremost). Additionally, the work overall sounds a bit lacking in dynamics, due to either the scarcity of played instruments or a limited mastery of electronic sounds. At a compositional and arrangement level, you’ve done truly remarkable work (especially considering your young age), it’s a shame that the result is severely affected by the production. If you want some advice, I would try to "rearrange" your compositions and have them played by a real band (in fact, the most beautiful parts are the ones where you also play), your music would definitely benefit from it. Of course, I reserve the right to amend the initial impression I just expressed. Regards, dear namesake.

Thank you for listening and for your valuable opinion, Saputello. Indeed, I recognize that I follow certain somewhat predetermined standards in my compositions, but I don't feel ready to push the boundaries further yet (that would be a forced stylistic choice). For now, I prefer to maintain a certain simplicity in the structure of the pieces and in the melodies. In fact, our guitarist isn't much to speak of, but that leaves more space for me and the drummer;-) Now I will give your music a listen. Best regards.