MetallAro

Yes, it's true...........I had forgotten!!! Myung, it says on the albums that he sings too, but honestly, I've never seen him get close to a microphone! Petrucci sings well and he's also in tune, his voice is a bit low, which doesn't allow him to be the true singer of Dream T. If they were doing Thrash, he could pull it off, he has a strong voice......THE MIRROR my beacon!!!1

I'm not someone who only looks at technique... it's just that you notice that first... then you have to listen better to the sounds, so let's focus on taste and sonorities. A CHANGE OF SEASONS (which is absolutely and objectively considered an impeccable song from a sound-technical-arrangement perspective) have you ever listened to it? Isn't Sherinian's taste for sonorities original and hyper-technical? (especially in his final "solo" and throughout the song).

who is that up there???? big the cradle

but the duration is influenced by the technicalities and expresses the complexity, it’s like a theme!

I love jazz, but unfortunately in my little shitty town I can't find any records. As for progressive, I have 4 albums by PFM (which I'll get back to you on soon), and one by BANCO, the first one to be precise. I've listened to Area and really liked them; the record will be arriving soon... does it convince you, anonymous?

Sorry, I studied English with Biscardi! :-)

It's John Petrucci who does it, Petrucci practically handles all the harmonies and backgrounds, in "A Change of Seasons" he even sings a part, the intro of "The Mirror" is also his work, it's great when he says: TENTATION! He also sang the distorted voice intro of "THE GLASS PRISON"! And just so you know, in the album "Scenes from a Memory," sometimes PORTNOY sings as well.

Anyway, we’ve clarified things bassist... you're right about this...

Even in the review, there are missing words, the content of the parentheses is missing, sorry guys, there must have been an error when I pasted the review... in the parentheses it should have been <what a drag, I skip ahead>, the ending was something like this: "IN MY OPINION, IT'S NOT LIKE THAT, THE ALBUM IS LIGHT, A LITTLE EXPERIMENTAL, BUT THE DEFECTS ARE TOO OBVIOUS, AFTER THE MAGNIFICENT TRIADE, THIS ALBUM JUST DIDN'T FIT!", can someone fix it for me? Thanks and sorry...

But why did they cut my review in the end? Guys, can you do something?

always x easycure--on the keyboard I've seen hundreds of world rankings and Emerson is practically always first, but according to whom?? JORDAN RUDESS, then on many guitarist rankings, for speed Petrucci is first in many, then in Power chords he is absolutely and invincibly number 1, at most someone who can be faster than him in tapping is Y. MALMSTEEN (who I can't stand and is a damn show-off!), ah now I want to ask you something, HAVE YOU EVER LISTENED TO "LIQUID TENSION EXPERIMENT," you can really see the skill of Portnoy and Petrucci there, in Dream Theater they commit without exaggerating to a maximum of 60%, listen to this project and then maybe we'll talk about it again......