Senmayan

Yes, you are certainly right, alessioride. In fact, valeriorivoli is indefensible from that point of view, meaning when he offends using the word frocio or tries to incite anger. However, saying that everything is in the hands of the Jews seems to me more like paranoia (like those who say that all Italians are mafiosi). Rather, mauriziotesti was truly anti-Semitic because he claimed that Jews were inferior as a race (yet mauriziotesti was ultimately a fake, he didn’t believe in what he was saying). In other words, debaser was born from provocations and has continued to grow also because it has given space to everyone, and users have shown themselves to be intelligent in cutting off provocations at their inception. In short, indifference is required in these cases. These people thrive because we pay attention to them. I also like debaser because it allows for comments like the ones found in certain reviews of burzum; instead of censoring, there is discussion (even if often it’s nonsensical and full of swear words).

then 80% of debaser users should be banned, including myself, if we referred to personal insults, etc. etc., you might not know some old users like Maurizio Testi and Vic Sorriso, debaser has become much more moderated.

I don't want to defend valeriorivoli, who often proves to be provocative, rude, and ill-mannered, but being against the Israeli government and Zionism (which is an ideology) does not mean being anti-Semitic; let's not play with words. Rather, valeriorivoli has insulted various users, but I've never heard him say down with the Jews, death to the Jews!

A nice and enjoyable film! I didn't like the ending where he, handsome and calm in his everyday life, enters the factory, nor the underlying message that seems to suggest a praise for normality (and the rasta friend would represent, from this point of view, anarchy, a life without rules and goals), at least that's the impression I got.

I prefer John Carpenter's horror films around Halloween (by a long shot), especially The Prince of Darkness (among my favorite horror movies) and also The Fog (the plot is a bit simplistic but the atmosphere is surreal), which is perhaps one of his most underrated films. Halloween is the progenitor of a certain way of conceiving horror, but it's slow, painfully slow; the characters take three hours to cover a meter, and yet it's very captivating, with that typical Carpenter atmosphere and a beautiful young chick like Curtis. I'm surprised to see negative reviews about this film; I’ve never seen it, but in many American horror films and in every parody of this genre, I always see Jason mentioned, so I expected more flattering comments, which doesn't exactly encourage me to watch it... I agree with those who said that during that period, Italian horror cinema was a step ahead.

Yes, for me too, this is the most intense album that grunge (at least the one I've listened to) has ever produced. In the battle between them, Nirvana and Pearl Jam, Alice in Chains come out on top. They may be less famous and influential, but that doesn't make them any less talented.

Gary Hughes is a crafty talent who borrows here and there, sometimes recycling ideas from other bands, but his genius lies in making them personal and fresh. With Ten, he has done great things. I remember that at the time of the release of this album (when it comes to my musical evolution, we are talking about prehistory), I was very interested; who knows what the future holds...

This film drove me crazy when I was a teenager because the dark side of the story and the conspiracies have always fascinated me, and here it all comes together to captivate the viewer, full of interesting and curious details. It’s a typical Oliver Stone film that meticulously tries to get closer to reality and brushes against documentary without (thankfully) ever reaching it. Great movie! 3.5 rounded to 4. However, I still prefer "The Doors" by Oliver Stone. The director is nonetheless too serious and cunning!

really beautiful movie

Great review! Here’s a thousand petrozza, it drives me mad because he has talent, is skilled in songwriting, knows how to put together a good album and has managed to carry forward a very interesting and personal musical discourse all the way to endorama (a really beautiful but underrated album), only to then return to typical thrash canons. Sure, "violent revolution" (the only album of their return to thrash that I've listened to) is quite powerful, but it doesn't surprise; here and there it feels like something I've heard before. I prefer them in their more unique albums, namely "outcast" (which apparently you didn't like) and endorama, which is my favorite from Kreator. This renewal, as you described it, me gusta. Great review.