Senmayan

DeRank : 0,09
DeAge™ : 7457 days • Here since 8 january 2006
Damon Lindelof The Leftovers
Voto:
Notable because it initially gives you the false impression of a series like Lost, only to become something more introspective and profound. To those unsure, I say: you can see Liv Tyler as her mother made her.
Sepultura A-Lex
Sepultura A-Lex
14 nov 20
Voto:
I could only understand Sepultura with Igor (also because the so-called tribal drumming associated with Kisser's guitar was what made them great), but without both Cavalera brothers leaving the name Sepultura, no matter how successful the album may be, it's quite depressing. I personally enjoy Sepultura's "Against" and especially "Nation" without Max, so no prejudices here.
Elton John Jump Up!
Voto:
I really like it, melodically impeccable, with some hidden gems and without synth pop drifts that really don't suit Elton.
Blur The Great Escape
Voto:
Their best, the pop rock perfection for me was already achieved with "modern life is rubbish," where they proved to be the true heirs of XTC (who, not by chance, they covered the legendary "Cooling"), an incredible album. With the subsequent ones, they have always maintained high standards, including this "The Great Escape," which, as stated in the comments, is a bit too disjointed, but still enjoyable.
Tony Scott True Romance - Una Vita Al Massimo
Voto:
Underrated as well are the Crusades; those who haven't seen the director's cut have seen a different film, and I understand the criticisms. It is far superior to Gladiator (which is still a good blockbuster) and perhaps the best among historical epic films (a genre now declined) of the new millennium. True Romance is a great film, but the best in terms of dialogue and groove remains The Last Boy Scout, a delight.
Martin Scorsese The Irishman
Voto:
I wanted to say blockbuster.
Martin Scorsese The Irishman
Voto:
I can't wait to see it. Anyway, almost everyone forgets that before Irishman, Scorsese directed Silence, which is in my opinion a gem, one of his most personal works.
Michael Mann Heat - La Sfida
Voto:
Too many close votes! This is a film, allow me the banality, that is rare to see today. The bank robbery scene has been heavily pilfered in technique by films like The Dark Knight and I think the same goes for the great Point Break. Anyone looking to shoot a bank robbery had to take this film into account since the 90s. Not to mention the screenplay is full of subplots that could easily spin off at least another 5-6 films.
Red Hot Chili Peppers The Getaway
Voto:
great album, I agree, the best since Californication, which to be honest isn't one that drives me crazy, but it has its dignity and a cleverly crafted yet solid songwriting, and in fact I prefer this The Gateway to Californication. For me, the last masterpiece by the Red Hot remains One Hot Minute. Anyway, the narrative "the first ones were great, everything else is shit" has frankly become grotesque and hard to believe.
Richard Donner Arma Letale
Voto:
Moreover, a movie, as far as I know, is a mirror of the times, and this film is one of many mirrors that helps us better understand the zeitgeist of the 80s. It's not even a yuppie film, and if it's connected to the concept of family, I don't see what's wrong with that. In short, why discuss personal visions of life within an action movie? Do you watch an action film solely to gain progressive insights and critiques of the system?