Fidia

I had the chance to get to know you a bit through your comments, and I had already realized the strong dark personality that distinguishes you. In my opinion, the thoughts you've shared, if limited to a fleeting feeling related to the emotions the album has evoked, are not superficial; rather, they are significant. However, I think you should specify that your observation pertains only to the sensations produced, otherwise someone might form strange ideas, and you know better than I do that not everyone has the sensitivity to understand certain things. Personally, I would avoid mentioning certain passages that could allude to or lend themselves to double meanings. Let it be clear, not because of the criticism that might arise from it, but because these are personal feelings that belong to your intimate sphere and that you will know how to manage perfectly. However, I must remind you that your writing could also be potentially misleading if read from another perspective and not with the right impact. Don’t take it the wrong way, Pas; I'm just sharing my thoughts.

I completely agree with you, Vin...
Look at Megadeth, they may have gone a bit commercial (Risk seems like a pop metal album), but at least they had the decency not to be lured by the annoying nu contamination that is so trendy now and that we hope will disappear soon...
The last one, "The System Has Failed," is not bad...

Look who it is...

In the current Metallica, anything that brought them closer to the old days and steered them away from the hateful nu sounds would be better.

You're right, Vin, but I'll tell you more, don't you think Nick's voice in Draconian Times resembles Hetfield's a lot?
I don't agree on Host.
It's true that if it had been composed by another band it would probably have been a good album, but from PL I consider it a decline in style.

I also like the last two works by Holmes and the gang, especially Symbol of Life where there's Erased which just kills me... After the deep disappointment of Host from Believe in Nothing, they bounced back even if not like in the past... in any case, EXTREMELY GREAT band.

Ah, I didn't know that Ondarock wrote such nonsense...

Hi Vin, I take the liberty to say that the gothic masterpiece of the '90s is Wolfheart by Moonspell, while the masterpiece by Paradise, in my opinion, is ICON. One second I don't really like that much.

Personally, I don't really like the Blind, but I hate idiots, and that's a good reason to intervene.

Well, prefacing that I have never played any kind of musical instrument and therefore couldn't provide a purely technical contribution due to lack of experience, I personally prefer Zakk. Rhandy (RIP) was more elegant, while Zakk, in my opinion (I reiterate as a non-expert), is tougher, more southern, and has more charisma. Furthermore, it is, in my opinion, undeniable that he is one of the best guitarists around and perhaps the only one in recent years who has produced a truly personal sound that has inspired a new generation of guitarists. In Randy's favor, albeit sadly, plays the young age at which he passed away, and according to an unwritten musical law, this makes those who fall victim to it immortal.