Fidia

I completely disagree, Zara.
On its own, it's been terrible for the past decade.
Albums like Blizzard of Ozz, Diary of a Madman, and my favorite "No More Tears" are, in my opinion, excellent.
I often hear people say: "the true soul of Sabbath is Iommi."
That may be true, but let's compare Ozzy's solo career to that of Sabbath post-Madman.
Ozzy continued to enjoy success and broke through in America, becoming an icon of heavy metal more than he already was, while Sabbath was even going bankrupt at one point.
In short, let's give Osbourne what belongs to Osbourne.

Oh my, what a cliché.
First of all, the comparison between the Purple album and Blackmore's Night is completely out of place, as they are entirely different genres.
Then "How did it cross their mind to publish such a work, released in stores on November 7 (approximately), that is so little rock?"
Excuse me, but do you even know the band or are you just talking for the sake of talking?
The band has been around for more than a decade now.
"We find a wonderful female voice accompanying the songs."
You review an album without even knowing the name of the singer, Candice Night, who happens to be Ritchie's wife.
The reference to Mike Oldfield, then, is the cherry on top.
I’ll repeat myself, paloz, but if you’re going to do reviews just for the sake of doing them or because you have free time you want to fill at all costs, wouldn't it be better not to do them?

I watched the live show.
How sad old age is.
Ozzy has never moved much on stage (like, for example, David Lee Roth, Bruce Dickinson, or Steve Tyler, to name a few), but seeing him practically immobile and hunched over the microphone trying not to go off-key is truly heartbreaking for someone like myself who has loved him even as a solo artist and forgave him for the mediocre "No Rest For The Wicked," the sappy pop of "Ozzmosis," and the terrible last studio album "Down to Earth."
Criticizing him for the MTV series that captures his typical days is all too easy, so I will refrain from doing so.
Surely, despite everything, he remains a great businessman, though most of the credit goes to his wife Sharon.
Between Ozzfest, reissues, rumors of possible reunions, concerts for the queen, media masturbations on MTV, the old madman continues to rake in a boatload of money.
What can I say, lucky him.
The other three musicians, however, are absolute virtuosos.
Rating: 2.5, which is the average between Ozzy's performance (1) and the other three (5).

Instead of being such an exceptional sommelier of votes, dear Dave, you should take into account Larrok's writing style, which is definitely better than yours.

Hiver, I need to reconsider your review.
In fact, reading it again, it's not so bad after all...

So let me get this straight, is it the soundtrack of the Jehovah's Witnesses or a collection of Gregorian chants or new age music? No, because your writing, besides swearing that it's a "heavenly" work, leads me to think this...

The only thing that saves you is the choice of your nickname.

Certo! Inviami il testo che desideri tradurre e provvederò a farlo.

"Dave boasts a less outrageous voice but damn it, it's so much like James Hetfield; the entire performance seems to catapult us back to the times of 'Kill'em All'."
Excuse me, but are you sure you heard this record?

I like Selected scene from the end of the world much more.
A band I discovered not long ago, but after a brief initial infatuation, not much has remained for me.
I agree with floyd, the review is a bit inaccurate, especially regarding the mention of the Sisters of Mercy.
They have surely influenced the LAM (after all, which gothic rock band and its derivatives from the '90s onward hasn't been influenced?), but the sisters are definitely on another planet compared to the London band, and even musically, there might be a few more electronic references to Floodland, but, for the rest, I feel that the Sisters offer a very different kind of music from the LAM.