Vivis

I actually quite liked this album!

I also thought it was the weakest of Lanegan. But damn, how much I've changed my mind. Two tracks above all: 'I'll take care of you' and 'consider me,' the beautiful one by the great Eddy Floyd. 'I know you're tryin to be a big girl and keep the tears from your eyes and it's going to be a little hard to lift your head up high...'. I love this track. It's nice to change your mind.

here you go

Good job!! One of the Roman bands that still spits out sweat and rage after almost 20 years of career since the beginnings on Radio Onda Rossa.

Dlin dlon service communication for Azzo: Vì is Vì and he’s also a man...!! Now he probably won’t understand anything and will be asking himself: when the heck have I been in Spain this weekend!!??? ahahaah the vivis is the vivis and starts by telling you that you finally managed to write it! I don’t know him well, I’ll get to know him better, and since Vì likes him too, I trust him.

I noticed it too; there was a moment out of time that I didn't expect. But shall we talk about when they reappeared on the stands in acoustic version for "voglio una pelle splendida"? Honestly, it reminded me a lot of Ligabue, although I really enjoyed hearing everyone sing. I didn't expect it from Manuel; he's not the show-off that everyone talks about. He gave me a sense throughout the evening that he cared for his audience, which was beautiful.

the review deserved a couple more words.

Thursday in Rome, good concert. The new tracks still need a bit of polishing in the live version. It’s just fever, cannon fodder, and a few moments in the washing machine hit hard. Goblins and witches and the muse of no one, truly magnificent. With wrecking, they opened for us, still one of my favorite pieces. Tarantella live takes the skin off you with that noir rhythm, with that swooning chorus 'but between us, there’s a secret that I don’t soooo..'

I believe it, great Zu!

Small talk. And I'll even tell you that you haven't listened to the album at all, or you have the afters too much on your back to be able to listen to it without prejudice. To dismiss it like that, shooting from the hip without valid arguments but only talking about clichés that I think only you perceive (external ring road equals “Ghost” by Suicide?!?) is equivalent to stating trivialities. But you're free to do so anyway. It seems to me a good work even though I've only been listening to it for a short time. Many little stories sung like fairy tales. I found Agnello in great form, Gabrielli's work on brass and keyboards is excellent, and Ciccarelli's guitars are top-notch. Manuel's words are always sharp, raw, but also sweet this time (maybe he poured a lot of what he feels for his daughter into it); if you don't understand them with your weekly puzzle, I'll try to interpret them for you: once upon a time, there was a man and a woman working really hard to buy a house, then comes the mortgage, the problems, the daily grind, and everything loses its magic. It's life. But they love each other or think they still do (because I like this in Manuel, that he never fully reveals his feelings) and maybe it will be the baby that's born that will give them the strength to break the monotony or her nighttime cries that will bring them joy... but not laughter, as you wrote, but rather freedom (maybe from fears), because he says they are free wolves! You say it leaves nothing? Maybe for you, but for me, it leaves a great desire to listen to it again.