DAVIDE DANIELE

But I really understand you. However, listen to "Che Dio ti benedica" again. If you get it, fine, if not, screw you! :-)

First dances, I’m from Naples, even though I live in the province of Rome (like Pino). You can read my last name, but there’s no relation. I don’t think you can know Pino better than I do. It’s not pride, for heaven's sake. But at this moment, while I’m writing, I’m listening to "Isola grande" and a minute ago I was playing the vinyl of "Mascalzone latino". My father was the first to send a piece of Pino to the radio. It was Napule è. Nobody knew it, and "Terra mia" hadn’t come out yet. I play the guitar, and of course, I like to shape my style based on someone I believe is a fabulous guitarist, not so much a singer as many define him. But he says he is a guitarist who sings, not a singer who plays the guitar. I’m 23, you got that right. It’s obvious that records like "Ferry boat" and "Bonne soirée" won’t come again, but I like all genres and I think "Come un gelato all'Equatore" is beautiful. That’s all. Regards.

Excuse me, but why is 2002 listed as the release year in the information sheet?

...damn...he says it's the second best-selling album...I didn't know that. I was convinced that in second place were "Stg. Peppers lonely hearts club band" and "Dark side of the Moon"... Well, AC/DC deserve it! This album has unmatched power.

It seems that this album is liked by very few... Excuse my ignorance, perhaps the judgment should be based on the quality of the album, but I’m used to expressing myself about how an album makes me feel and I don’t judge it based on what it has or doesn’t have compared to other albums. In conclusion: "Ballbreaker" excites me like no other AC/DC album does!

I have no words for this album. It’s something to be listened to, nothing more! My favorite is "Basta 'na jurnata 'e Sole."

I must say that fans like me of Uncle Pino are rare. However, I must admit that the decline in his art is evident lately, but I don't think it coincides with "Bonne soirée" or "Un uomo in blues," rather with "Medina," which, if not excellent, is still great. The real blow came with "Passi d'autore," which contains some beautiful tracks but is interspersed with horrifying duds. And now comes "Iguana cafè." Aside from the covers that could have been spared (someone like him shouldn't need to mix his music with that of others, even if we’re talking about "'o Sole mio"), I cannot find any standout pieces. But nothing bad either. The listening experience is still pleasant. Overall, a stretched-out 6. I hope to soon give a nice 10 to one of his albums again, just like I did from "Terra mia" to "Come un gelato all'Equatore." Hello everyone!