Galakordi Urtis Krat

I almost forgot. "miciatigre," will you marry me?

"The special effects are handcrafted, as fake as Fabrizio Frizzi's laughter, but sufficiently 'gory'. Just for this line, it's a 5-star review. Still, I reaffirm my pathetic love for this 'director'. hihihihi. (wow, how SKIMPY the first episode is!!)

no no, even the movie is a 5. don't worry.

Monsters of Florence. I preferred the other review. Nothing personal, anyway.

stunning. beautiful. editing and cinematography are incredible, even a reuse of stills in exquisite and functional situations. in my opinion, unmissable.

I’m picking up on the last comment by cptgaio and throwing it back to those who agree with him with the following: you complain about the quotes as if they were trash (but have you ever seen Godard? hmm, maybe not. and that man IS cinema), and you call them “the usual narrative clichés,” as if they were trifles, while you’re talking about the author (yes, because Tarantino IS an Author) of Pulp Fiction and Reservoir Dogs (two films that completely revolutionized the entire imagination linked to a genre cinema and beyond, two films that have themselves become ICONS of cinema). and you in TWO fucking definitions brush off Death Proof, I mean, Tarantino himself? but try doing the things he does. believe me, it’s much better if you just stay quiet.

damn if El Guevo isn't right, damn if Tarantino isn't right when he talks about today's Italian cinema (and damn if Bellocchio isn't wrong when he says Tarantino is wrong: damn how much he shows he has a chip on his shoulder!!!), and damn how much I love that such a great, such a prominent figure is not a brown-noser, and... damn

I didn't like it (The Thin Red Line). But I downloaded it and I'll try to watch it again. P.S.: beautiful review, at times metaphysical.

self-extinguishing pure

GrantNicholas and Meurglys_III didn't fully understand what I said, but hallelujah is very much right. However, there is also the fact that the terms "rock" and "Italian" form in common language an expression that: 1) is mainly used to refer to 2 groups: afterhours and marlene kuntz; 2) this does not negate the fact that the Italian musician, even if of another nationality, can adopt stylistic elements or insights characteristic of genres and movements that do not belong to his genetic baggage; 3) the discourse on quality music concerns only and exclusively innovation. That's true, but the opposite is also true. I don't feel like explaining myself. Those who are able to understand have already understood, without invoking the blues, rock'n roll, Radiohead, electronic music, America, japanoise, punk. My discourse isn't as extremist as it seems. Neither is Lady Sniff’s. I would like to know what she thinks.