Galakordi Urtis Krat

DeRank ™: 0,32

DeAge™ : 7535 days • Here since 23 october 2005

Laurence Olivier Hamlet

30 jun 07

Voto:

I’m starting to believe that Poletti is Scaruffi. I mean, not Scaruffi himself, but an heterodiegetic emanation of him. A double that feeds and nourishes itself on the misfortunes attributed to him by others. Just like Scaruffi, he is both object and subject. And just like Scaruffi, he is assertive and stands as a critic. "Marco, we are here. This is your family. Don’t write on other sites. This is where we care about you. Everyone else is pretending. We are your family."

Editors An End Has A Start

30 jun 07

Voto:

Beautiful, but are they the editors of Debaser?

Al Pacino Riccardo III - Un uomo, un re

30 jun 07

Voto:

Al Pacino unbearably egocentric, but he really did an amazing job. Kudos to the reviewer who fully grasped its significance.

AA.VV. 1991: The Year Punk Broke

30 jun 07

Voto:

it's all on the mule. whole tour I don’t think so.

Alan Parker The Life Of David Gale

30 jun 07

Voto:

stone-cold comments

Alan Parker The Life Of David Gale

29 jun 07

Voto:

an excellent and forgotten film

Richard C.Sarafian Vanishing Point (Punto Zero)

29 jun 07

Voto:

as an atypical road movie, also The House of the Devil

Shinya Tsukamoto Tokyo Fist

28 jun 07

Voto:

What what what?! Wasn't Haze the last work of Tsuka? I need to catch up as soon as possible. Anyway, I’ll take the advice of Mike76 and Guevo; I’ll try to rewatch Bullet Ballet (the inspiration for that film is remarkable), even though I have a bad memory of it. As for Vital... I liked it quite a bit.

Roberto Benigni La Vita E' Bella

28 jun 07

Voto:

I look at the poster. Ah Benigni, what the hell are you laughing at!!??

Shinya Tsukamoto Tokyo Fist

28 jun 07

Voto:

I saw Gemini. Paradoxically, it becomes particular even though it possesses very few Tsukamoto-style elements. It almost seems television-like. However, upon closer inspection, certain things definitely come to light. Like certain bursts of photography, or the industrial music inserted into a film that is practically a period piece (a fucking nod to the two Tetsuos). The beauty of Tsukamoto is the personality with which he handles scripts with never easy twists (A Snake Of June, Gemini). And then in the films, he does practically everything himself: shooting, editing, cinematography, often acting and frequently being the protagonist, special effects... and what else is left? He is truly great. However, Bullet Ballet disappointed me. I bought the original and returned it the next day for another film.