Galakordi Urtis Krat

I give a 5 to Purpulan's comment.

Come on, stop tearing each other apart. It's obvious that then the cinema section turns into a mess.

it's a very nice review

Wow. Congratulations on the review and final recommendation. Really excellent.

I rectify and "abjure" the first 13 words of my first comment. I had read up to "with great violence Vivien Leigh." The rest is simply a skin eruption.

Yes, anyway it's better to forget about this page.

So, the review is crap. Enjoyable. And there's no doubt about that. The central part of the plot could easily replace the part of PAZ! where the guy is taking the exam at DAMS and tries to talk about Apocalypse Now in front of the professor. However, aside from that, there are some weak points (nodal... can I say that?) that cannot be overlooked. The fact that you wrote it just to go against Poletti has made you lose sight of some important things (which, coincidentally, all focus on the first part). Like the not-so-negligible point that Gone with the Wind is NOT (and cannot be) A CULT. Damn! A CULT! Do you realize what a cult is and what Gone with the Wind is? A film that cost a fortune, so famous and widespread that it has become an integral part of our image culture. So present in this sense that it has gone beyond the obligation to watch; so much so that anyone, without even needing to have seen it halfway, will know the famous "tomorrow is another day" or the iconic kissing scene. In short, this film is everything but A CULT. Apart from that and a few other small major inaccuracies, the review is entertaining. But I will refrain from voting on it or voting for the film here.

deviljin so basically you're talking nonsense. great. (... human case?!)

I listened to it the other day. It's not a bad album. The first song is a bit anonymous, but the worst piece, in my opinion (among all their discography), is "Sapore di Miele." A song with such an embarrassing text, such a terrible musical score, and such a silly chorus that it would make even Manuel Agnelli from Ballate Per Piccole Iene Cantate In Inglese blush. That song truly deserves to be discarded, especially because it has no place in an album like this, where in the end you enjoy very good arrangements (listen to La Ballata Dell'Ignavo for example, in my opinion the best song on the album) and a more natural sound compared to the plasticky Senza Peso and the monolithic fake of Bianco Sporco. The voice allows for several variations, which is not bad. But when he sings in English (why didn't you mention this?) it's laughable. What a TERRIBLE accent... I also noticed some similarities with Giovanni Lindo Ferretti's vocal lines in several tracks, and I don't know if that's a good or bad thing, because in a way, it somewhat distorts a band that is following a rather isolated path compared to their peers (the labeling of melodic rock is definitely wrong). My rating for the album is 3, due to the presence of that crappy song (Sapore di Miele) that really... where the hell did they even dig that up?! And for some small vocal (and textual) blunders from Godano.

... and you shit the cock.