Mr.Moustache

TO MR. BEARD: 1) I am pleased to inform you that I have never had sexual relations with the gender you mentioned, at most a quick fling and that’s it; 2) if by "metalhead" you mean an individual lacking character who believes they can annoy others' freedom of thought by hiding in the shadows of anonymity, getting off on the mere thought of it, forget it! For this, I inform you of the existence of hookers by the hour; 3) Who says I am an honest gentleman? What if I were a damned son of a bitch who commits nothing but disgraceful acts? YOUR WORDS HAVE EXCITED ME BEYOND MEASURE, DO YOU HAVE ANY ENGAGEMENTS FOR TOMORROW NIGHT...?

... it is therefore the format chosen by her that makes the sense of aftertaste of her idea about the group in question entirely "theoretically" and more practical.

What led to the nascent upheaval in Petersburg many years ago, drafted by Lenin... let it be clear, I chose this comparison to express the turmoil your review has stirred within me. You see, Mr. Sfascia, these theses were drafted in concrete points, listed just as you (unintentionally, of course) decided to arrange them at the time of publication...

My Rabbi, the theses of April are nothing in comparison.

God bless you... "and forever, and forever, and forever...".

Really pret? Imagine that I also started listening to the pumpkins with Machina! Blue Skyes Bring Tears is spine-chilling... and I agree about the excessive snobbery directed towards it.

Father, your words move me.

It's true, Manchester is one of the most horrible cities in the world.

TO REGULAR/JOAN.
I don’t doubt that NIN have a lot of artistry in their repertoire; however, I believe that what you’ve correctly pointed out about Manson is equally applicable to the NIN themselves: if in fact the "Antichrist" recycled those certain poses you refer to years ago, Reznor, figuratively speaking, recycled those "sound poses" typical of the industrial and glam scene of the eighties, borrowing among other things, a lot from vocals, sampling, lyrics, and so on and so forth. The proof of all this? Just take a look back along the jarring road of industrial. Ministry, for example, were semi-swindled by the abuse that Trent made of their sampling, particularly for Pretty Hate Machine. Then there’s the voice... transplanted from the singing of Cop, and even the arrangements themselves recall that very work. IN ESSENCE: Reznor has not done (in my opinion) what many think is an evolution of industrial, but rather he has frozen it, massifying it to the point of making it (if I may use the term) SO COOL (!). In a nutshell I can say that he did nothing but put on the right covers, cool videos, a super-duper sexy muscular body, and so on. The acid test lies in the collaboration with Manson, a commercial gimmick that has done nothing but crown the decay of the POP-industrial-pseudo-dark-expressi onist scene to which his sound, I’m sorry to say, doesn't escape at all... But I know you won’t agree anyway. And it’s only right that you shouldn’t if you’re convinced of it.

Mr. ThirdEye! You're making a big mistake: it's thanks to the post-apocalyptic introduction of your review that I was inspired to create Consumer Revolt.. Anyway, I don't place Reznor and Manson on the same level in terms of composition; I just want to highlight how the two have colluded to focus more on merchandising than on being artists.. too damn (or maybe damnably rich?) and little inspired. But on the other hand, we know: "...iu-es-ey! iu-es-ey!..."