Mc Sampyr

this is a boring and commercial group "Estate" is a commercial track, fuck the world

"Masterpieces" let's not exaggerate, after two minutes all their songs annoy you except for "fatti un giro," "fino in fondo," "strade di città pt.2," "un'altra cosa che ho perso," "ohi maria" (anthem from a fake addict), "nessuno" the song and all of strade di città, but apart from the last one, nothing is a masterpiece!!!

capa is not hip hop or rap it's rep!!!!
damn it... let's clarify...

People, I have nothing against musical passions but...
jam 25... Christ!!!!
Screw it, really screw it
more mature women?
Nah
Sometimes you put emotion before everything to the point where the first pretty face that puts together a few rhymes about a broken love becomes the best, then in two years it’ll be that other one, then another one...
Christ...

Pagani was friends with De André, but sometimes it seems to me that this reproduction of the dead is a bit too profit-driven... when I rapped "a blasphemer" I felt like shit, because others liked how I rapped it... it was terrible.

you can't make it... as zuckina says, but come on, aren't you exaggerating a bit???
giorrrrr, zuck, let’s put the battle axes aside, anonymous I'm already trembling, if you want I can dress up but...
I don't have the Nikes, would a pair of DVS work for you?

Hey little V, I grew up with the old man, and if you really love him, you'll know that "Good or Bad" doesn't measure up to the old works. Over-mythologizing your idols makes you blind. In fact, thanks to Fibra, I can't see shit anymore!!!! ;)

"loser as much as Fracchia when you introduce your bleating, Sunday folk"... "come on, you jerk, trumpet and go with your Casadei style, but get the mazurka out of my balls" Dj Gruff Fuck Articolo 31, God bless you anonymous, and may you remain in eternal virtue in the poprock ignorance of the new millennium
MSMS (Mc Sampyr Merdas Skifos)

urgh
ach
ohdear

Keanu Reeves will never surpass Bruno Ganz in the role of J.Harker. In Herzog's Nosferatu, Ganz even becomes a vampire in the end. As if to say that evil never truly dies. I find that the beautiful thing about Bram Stoker's Dracula, like Herzog's Nosferatu—which Murnau's "Nosferatu" lacks—is the poetics, not just verbal, like Mina in B. Stoker's work talking about the princess, or Prince Vlad in the same film saying "There is much to learn from animals," or the image of him becoming a werewolf as he sees Mina discovering him while he’s with Lucy and says "no, don’t see me." Just like Klaus Kinski saying "the children of the night make their music," or arriving in Bremen, looking around in the square. Tom Waits in the role of Renfield will never be surpassed... "blood is life!" and... oh my, what was I saying? One moment, ah yes, these little enrichments make works like Bram Stoker's Dracula, or Herzog's Nosferatu, or Shadow Of The Vampire, unique. A bit romantic and poignant, in the atmosphere of Gothic darkness... which, however, is occasionally lacking in Bram Stoker's Dracula.