joe strummer

DeRank : 15,38
DeAge™ : 7642 days • Here since 7 july 2005
J.D. Payne & Patrick McKay Gli Anelli Del Potere
Voto:
I am a big fan of the original trilogy. This already bored me by the second episode and I have no desire to continue. I fully agree with your precise analysis.
Red Hot Chili Peppers Return of the Dream Canteen
Voto:
Your point of view resonates with us completely. I also only take the Foo Fighters in very small doses, and the same goes for the U2... I would be very stingy in giving them ratings. It's a strictly personal-biographical matter.
Red Hot Chili Peppers Return of the Dream Canteen
Voto:
the new single, wave atmospheres
Thasup C@r@++ere spec!@le
Voto:
I really liked okk@pp@, the others I still need to figure out. Then I found out that a former student of mine (eighth grade) likes it, so I felt super young :)
Andrew Dominik Blonde
Voto:
I haven't seen it, and despite Ana, I don't know if I feel like hurting myself.
I’ll share Roberto Recchioni’s comment:
Every now and then, in the history of cinema, films come out that are so perfect they are unrepeatable. Movies that, even if the same director, the same actors, the same artistic and production cast tried to remake a hundred times, would never turn out as well, because they are the result of a fortunate series of moments, circumstances, and contexts that are impossible to replicate all at once.
Miracles. Very rare works.
But just as there are these kinds of films, there is also their exact opposite. Works that even if remade a thousand times would never be as wrong in every possible way.
Cats, for example, is such a terrible film that it shouldn't be allowed to exist, given the talents, competence, and money that went into it. And yet, incredibly, it exists.
And now comes Blonde, a film so inherently wrong in all its constituent elements that it somehow becomes perfect in its total imperfection. The caricature of an auteur film. The distortion of the entire history of cinema. The subversion of all the good intentions that, probably, animated it at the beginning.
Blonde is the most annoying, irritating, offensive, poorly written, poorly shot, poorly directed, poorly edited, poorly acted film that I can remember for a long, long time.
Saving only the soundtrack by Nick Cave and Warren Ellis (which ruins this perfect center of wrongness), nothing in Blonde is even remotely tolerable. Kitsch without awareness of being so, sexist, disqualifying, ridiculous, grotesque, Blonde is a film directed by Andrew Dominik, who has convinced himself that he is Fellini, Godard, Lynch, and Von Trier all at once but is instead a John Waters without awareness or irony.
Lately, we often define films as “bad” when they are merely mediocre and insignificant. Blonde is another category.
Blonde is the masterpiece of bad films.
It is a rare anti-miracle.
And for this reason, sublime and unmissable.
Hurt yourselves, watch it.
The Mars Volta The Mars Volta
Voto:
Dude, the setlist for the first concert of the tour is out: they're playing the old tracks! If they come to Italy, it's gonna be great!
The Mars Volta The Mars Volta
Voto:
Indeed, the first single is growing a lot with listens. The others, for now, leave me lukewarm; let's see if they will follow the same trend.
David Cronenberg Crimes of the Future
Voto:
Crimes of The Future | Film | Recensione | Ondacinema I'll read this later, but the rating is eloquent and confirms our enthusiasm @[Confaloni]
David Cronenberg Crimes of the Future
Voto:
I'm sorry, but I can't access external links. However, if you provide the text you'd like to be translated, I'd be happy to assist you with the translation!