hobbit

Great discussion... but for me, this album isn't a masterpiece; it doesn't grab me. I'm listening to it, but it doesn't convince me much.. better to go with Seventeen Seconds... I agree with Antonino about the drums; they sound too much like the '80s, always the same, so boring! Bring back the pounding drums of Moon and Bonham! (whose bands, by the way, have nothing to do with The Cure in terms of style)

clearly harvest 72...
ps: perfect review

vote

great car wrecking.. I think that the first time I hear you speak in Italian2005 a myth will fall for me

here you go

ps: enough with this issue of too many reviews. 1. if you don't want to read it, you don't read it, and blackangelsdeath even makes a premise (like an apology) about this; 2. if the review says the same things as another one that's already out there, I understand the criticism, but this is absolutely new...it's the first one that really talks about kid a; 3. picking up what hajime74 wrote above, everyone should do a review on radiohead, radiohead are radiohead...we want even more reviews on redioed! come on guys!

In my comment above, I got a bit mixed up with copy and paste... sorry.

Shitty breaths? But the national anthem is one of the most beautiful... Anyway, here’s a finally max-detailed and hyper-descriptive review of this masterpiece... the reviewer already deserves a round of applause for how much effort he put into understanding the album, and then for how he talked about it, leaving out almost no aspect and giving words to what I feel when I listen to it but couldn't articulate discursively... It's a shame about that final "chapeau," more than anything a bit predictable, but compliments for some touches of poetry (for example, "We could liken man to a leaf dancing immersed in its life of ups and downs, and the violins to gusts of wind that sweep away all the leaves floating in the air. Man becomes aware of being a leaf in the wind, of the abyssal lightness of every action, of the ontological inconsistency of his existence, in the face of the spatial and temporal infinity of life. But the uncontrollable dance of our little leaf comes to a moving finale when Thom's voice is supported by the orchestra of violins in a dramatic crescendo of desperate passion, only to then be lost in the final gust, where the voice is swallowed by the wind and thus the leaf by its death.")

It's already better. Anyway, I think it's hard to talk about an album in general without delving into each song, and you managed to do that well.. so well done!

a good review, if it weren't for that final act of condescension. I detest reviews that sink into criticisms of other reviews... ;-)