ajejebrazorf

DeRank : 3,31
DeAge™ : 7681 days • Here since 29 may 2005
Steve Ray Vaughan & The Double Trouble Band Blues At Sunrise
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Surgical. Androgynous. Subtle.
We expected a lot from Elvis Costello, an underrated musician who revolutionized the acoustic guitar forever. Instead, we have to listen to this 9-piece improvisation group.
The album's roots lie in pop, perfect for funerals in the outskirts of Kabul.
Whether it’s called hip-hop or dub, the music presented crafts every possible gem by painting compact colors.
The only reference could be one: Frank Zappa.
Steve Ray Vaughan & The Double Trouble Band Blues At Sunrise
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review made in polygen. Like there could be thousands of them.
Francesco Barilli Il profumo della signora in nero
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No, but I don't disagree; it's a valid film, I just don't share certain hyperboles.
Michael Angelo Batio No Boundaries
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Are you absolutely sure that no one does the things he does?
Michael Angelo Batio No Boundaries
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Well, as Frangetta, he is definitely one of the greatest guitarists in history, but the rest eludes me; if you want to explain it to us, metalheart...
Michael Angelo Batio No Boundaries
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psycho, but really, have you never seen anything by Michael Angelo? Here, just for true connoisseurs:
Francesco Barilli Il profumo della signora in nero
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In my opinion, you’re exaggerating quite a bit, and the act of downplaying famous films simply because they are famous, at the expense of less known films because they are less known, is something I detest: for example, I think it's nonsense to say that it is worth much more than **la casa delle finestre che ridono** and **Profondo rosso**, which I believe are clearly superior. They are more famous, but rightly so because they are among the peaks of Italian horror (for me, the two peaks). That doesn’t take away from the fact that within the genre, it’s still a nice film (around 6.5/7), clearly inspired by Polanski but with its own reason to exist, one of the few Italian films to have a somewhat Lovecraftian atmosphere.
Powder Monkeys Time Wounds All Hells
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Ah great, now everything is perfectly clear :)
Powder Monkeys Time Wounds All Hells
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Super, more raw than Feedtime I can't believe it even if I see it, I mean, maybe you're right for the third one, but on the first one, with certain tracks (like Fastbuck), they sound like the violent version of Motörhead from No Sleep 'Til Hammersmith plus Big Black from Atomizer... but I like the description of these Powder Monkeys.
Powder Monkeys Time Wounds All Hells
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Yeah. From what I know of Australian garage, they seem like accelerated Feedtime, I think I’ll give them a try. For Alessio: do you already know the Go-Betweens and the Church?