ajejebrazorf

Yes, I doubt it's exactly Italian; every now and then I let myself be overwhelmed by the beast within me. Very self-indulgent, very circus-like, yet with class. I remember beautiful Mediterranean Sundance. I recently watched the trio live, and they were elbowing each other and showing off to their heart's content, even Mr. Mahavishnu, whom I adore.

Regarding the controversy between stoopid and geeno, I’d like to chime in and say that giant step has never been one of my favorites as a layman (I’m not disputing its value), while this one, yes, it's a pleasure to listen to. Not to repeat myself (actually I will), but how beautiful is Olè?

I know that I'll come off as the usual pain in the ass, and as Vasco says, it's been so long, but I see it a bit like "sfascia": I found it very gazzosaro. Jim, love me as I love you.

Antonio, I don't understand the story about the external labels, I swear. :D Zarathustra explained himself perfectly; let's say I just wanted to clarify that I consider this a classic example of the famous "experimentation for its own sake" just to avoid misunderstandings. Anyway, I've heard it three or four times and I don't feel the slightest need to listen to it again: after all, it might be surprising, but it certainly doesn't evoke emotions (and I doubt there were any intentions in that regard; the game seems quite transparent), which I believe is the purpose of any musical piece. As Zarathustra has already well explained, here Stratos explores the voice; if he makes a mistake, he stops, starts over, and obviously has no scores to follow. Interesting once, stop. Imho. In fact, from that perspective, I believe Stratos' "educational" videos or his live albums where he takes time to explain the techniques and their origins are much more engaging. I don't know if you're familiar with the concert at Elfo when he explains the "pastoral song," which was supposed to have the effect of making the sheep arrange in a circle and fall asleep, and incredible things like that...

big struggles in the capsule, and great review. I'm wondering how it feels with this echoplex.

Wow, thank you so much Odra! If I remember correctly, it's soon your turn too :)) By the way: when I first arrived here, there were less than three thousand reviews... in a deAnno 5000 reviews. Who knows when I'll have two deAnni.

Arrived at the fourth sample, I reiterate: I absolutely have to hear it (Scott Walker came to mind, does that even matter?). Plus, your tastes are a guarantee. Forget deMoggi, this is a well-deserved Serie A!

Wow. Sorry.

I absolutely have to hear it.

Well, Antonio, it’s a distinction for the use and consumption of those who, not knowing the album, expect a "record" in the classical sense. These are sound experiments. It's not a criticism, it’s an objective fact, I think.