El Guevo

There was already a (nice) review of this album; this one, however, is not only useless but also poorly done. The album is definitely very beautiful, like everything Cohen has done.

for now the best album of the year.

Anyway, even dear Wendy, the latest film by Vinterberg, is very beautiful. And the screenplay by Lars von Trier is fantastic. I understand that this character may be unlikable to many, but there’s no doubt that he is very talented, original, and not afraid to go "beyond" with his perspective.

Festen, Mifune, The Idiots, The King is Alive, and the other Dogma films find their strength precisely in the screenplay. Memento, I'm sorry, but I think you're wrong after all. Both Mifune and The King is Alive have perfect screenplays, just like Festen, and indeed they were written by Jensen (as were the scripts of the films directed by him, including his latest, Adam's Apples), who, without exaggeration, is certainly the most talented screenwriter out there in the world. In short, let's give Caesar what belongs to Caesar...

great movie, but it has definitely been overrated.

I listened to it and I have to say that it didn't seem like a great album to me.

Surely this (not only for the performances but especially for the screenplay) and Bad Lieutenant are Ferrara's best works, right after King of New York. The Addiction, on the other hand, I believe is one of the worst films he has made, boring, pretentious in its cheap intellectualism, and ridiculous as a screenplay.

one of Ferreri's weakest films.

the best film by abel ferrara, also thanks to the performances, in which the purest talent of vincent gallo shines.

this is a film that I truly hated, a manipulative and pretentious movie, without any coherence, one of the worst views I've ever had the misfortune of experiencing.