Ghemison

Thank you thnaks very much... now I'm trying to find it.

I'm sorry, I don't know the album because I only have The End by Nico, which is truly a masterpiece. I rate your review lowly for an error in the opening lines where you attribute only two albums to Nico when she actually made seven: Chelsea Girl (soundtrack 1967), Marble Index (1968), Desertshore (1970), The End (1974), Drama of Exile (1981), Procession (mini-lp 1982), Camera Obscura (1985) plus other live recordings and anthologies. Other than that, nice review. Sorry...

Okay, sorry, I was relying on sources that weren't completely certain. The fact remains that I really like the album a lot, and I want to emphasize the rhythmic beauty of "Where is the line." Just to stir things up, I'll tell you that it actually has two T's. But let's drop that. Dear ...caz... could you explain to me what kind of album "Make the music 2000" is, who the artist is, if it's available, and who distributes it in Italy so I can see about buying it? Thanks.

Congratulations on the review. For me, this album is essential personally, sentimentally, and creatively one of the most beautiful Italian records of all time for my generation (1986), or perhaps the most beautiful (without the depressed and suffering aesthetic of so much '90s Italian rock). I just would have spent a few more words on "La canzone del parco" Gomma and Martina (...infinite honey for the soul...). Dear Southman, I would like to know your opinion on "La moda del lento" because I think it's nice but not that much.

I apologize, but the review does not do justice to the album. It deserves to be explored in every smallest note. While Patton and Wyatt's contributions are indeed fundamental, the true pillar is the former Roots member Rahzel, who serves as the human drum machine throughout the whole record. And then there's Kelis in "Oceania" and the Japanese Dokaka, who creates beats in "Triumph of a Heart" with his absurdly extraordinary vocal inability. A wonderful album, even in the more intimate pieces that can recall the more ethereal Dead Can Dance or Nico in "The End." And then Björk's voice (sorry, I can't do the umlaut and it pains me) is always the most beautiful in Europe, ten levels above any other... Anyway, for me, the prize for the most beautiful piece goes to the dark hip-hop track "Where Is The Line" (just listen to Rahzel and Patton creating that rhythm). This album is Björk's masterpiece, her most ambitious and perfect work. PS. Who but a genius like Björk could have conceived the human trombone heard in "Triumph of a Heart"... Sorry, I didn't sign off earlier, and it reads even better that way.