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I have calmly, not too long ago, scratched my eardrum with this Swedish/Danish artist who moves in these waters, so looking back as @[Caspasian] well states at the Cold Meat industry school that produced one of my favorite dark ambient albums, I can’t remember the title now.
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But what do they eat in Sweden?
Okay, I'll listen to it calmly.
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I haven't seen the movie.
I find Golino mono-expressive; she always has the same expression, the same face. Scamarcio has 2 and a half expressions, at least Golino, aside from always having the same face, is a beautiful woman, so that's an added value.
Tedeschi acts, even in interviews she acts, I suppose even in private life, but deep down she's good.
Maybe the movie isn't bad.
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Never read it, I only know the scene with the skull.
But I know the story of that Moor of Venice.
But I don't set the standard; I read little and so I skip this long page outright.
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They’re not for me. Anyway, after watching the video, with that cover and name, the cold shiver of "Paola & Chiara" is inevitable. Still, if they weren't so synth, I’d probably be interested because the tracks aren’t bad; I just don’t like how they’re dressed. I'm talking about the few songs I've heard; maybe the other songs are different.
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On tour with Santana? It’s bound to be addictive, putting up with it every night.
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great beautiful voice.
I'll read the review later at home given its length.
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great "The Age Of Consent" " after I completely lost interest because I didn't like what it was producing
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magnificent record in all its layers
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This work has generated many expectations, definitely too many. And behind too many expectations, bitterness is inevitable. I have to say that after the bitter disappointment, I listened to it again without focusing on who they were, especially Galas and in a minor key J.P.Jones, and the album took on a different dimension, in minor, and I must say that slowly the tracks began to take flight, elevating an album that I thought was doomed. I mean, expectations, two distant names often generate momentary disappointments or hopes, but with the right attitude in listening, the value rises significantly. Clearly, if there is value, and here not excessively, but value does exist.