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At the time, I was perhaps still too attached to musical trends. The debut of Paul Roland (?) and Nick Haeffner for Bam Caruso, which I knew from compilations, left me bewildered; I couldn't place them in my mind. I listened and relistened until I concluded that their beauty was precisely that of being outsiders who didn’t follow the mainstream paths but dared to explore less-traveled routes, even if in the past trodden by Argonauts whose names have been forgotten. Nick remained, above all, a cult figure for future listeners.
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never liked
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Blessed "Pirate Area," even when I am elsewhere, it's nice to know that there is a port to dock at during stormy times.
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In a glass with a pink drink, you drop colorful tablets shaped like little elephants; they wink, dissolve, leaving behind smiling bubbles that dance to the surface. Light and carefree, they burst outside the glass, leaving in the air the scent of surreal songs. Time passes, yet I was so young, how is it possible that everything has changed? Looking at the sky, I see only still, silent gray clouds. Where have the little elephants gone?
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this, "Venice" and "Black Sea" are gems. "endless Summer" at release was experimental; after a couple of years it was absorbed and opened paths to more adventurous pop, I think of the less cliché things in the New Shoegaze field.
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But I don't know this, so should I whip myself? At most, I'll download it on the fly.
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Have you heard the album by brother Coss? It's not bad.
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Who thinks that the Jesus and Mary Chain are Shoegaze? Perhaps the same ones who believe this is a great record. I listened to it because I read great comments, but instead, there isn’t an original note that distracts you from what you are doing.
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The only album I can stand among the 2 works I've heard is RAM.
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I like his attitude towards music; sometimes I think he's a bit of a character, somewhat created and inflated by the alternative scene. Anyway, many of his tracks are wonderfully twisted gems.