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Very calligraphic work. Among the team, the best are the Bevis Frond; at least Nick Saloman had good handwriting between Hendrix, Byrds, and Dinosaur Jr.
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never heard of it, nice cover.
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I probably should dedicate more time to the new one. This is nice, refined by the next step "Chutes Too Narrow."
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I know and appreciate the works of Eluvium, but I really don't remember this one.
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A vote for goodwill and courage. A fundamental work, but personally, I prefer the monumental Philip Glass in "Einstein on The Beach."
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If someone feels the need to write their thoughts on an album, even if much has already been said, I don't see this as an insult. Also, many users, due to their age, only caught certain albums from the '90s without ever having read two serious lines about them. For those who already know everything, they can always skip.
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pleasant, but without the slightest thrill.
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I believe he is a great director now lost in his own ideology of cinema. Ideology, because for him cinema has become a path for his contradictory personalities. He could probably change his profession, but every release of his comes with a trail of controversies, improvised critics, and baseless evaluations. In some way, "Il Grande Capo" summarizes his relationship with criticism. As long as he lets others speak, he is a great director.
Zu Jhator
7 may 17
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If they’ve expanded their sound, they may still be interesting.
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Of the kind I know this surreal pop pendulum between dementia and genius.