Voto:
I met Moltheni in the beginning and I didn't mind him. Then, if I remember correctly, he added some pieces and goodbye.
Voto:
Here "The Corns Years" is completely unknown to me. Yes, he didn’t invent anything, but from that nothing, especially in the beginning, he extracted some very evocative pages. Honestly, I have to say that some comparisons seem a bit risky to me; Barrett? Honestly, I don't feel it in Douglas P.
Voto:
feel like random pieces, beautiful and vigorous but with their own "why," like your "presentation"
DRE CLUB
21 jan 21
Voto:
I've been sleeping for years, let's hope this noise lasts and silence doesn't wake me up.
Voto:
I remember these, how many things have happened.
Voto:
I had never heard them before, discarded who knows for what prejudice, I thought of the usual sandy rock group, energy and zero melodies.
Voto:
I have a certain dislike for Battiato, a dislike that negatively affected my listening to his works from the seventies; I would look for faults in his good works, which were not masterpieces. "This I’ve already heard from Tot, copied from Tot..." I even avoided his albums. Then I made my peace with it: we're not talking about a genius, but an excellent musician who surely listened to many records from times unknown to most, and maybe he borrowed some ideas from others. In short, he’s not that annoying guru. This realization led me to revisit his works, listening to them with a more intellectual judgment and ultimately appreciating them for what they are—good, original works. Personally, they opened doors to other musical worlds for me, and that’s no small thing.
Voto:
I play music without thinking about my mood. It sounds cheerful, dressing itself in my (possible) sadness. I don't know the record.
Voto:
I didn't know there was a Mark II, maybe it's for the best.