Dislocation

DeRank : 22,33 • DeAge™ : 3004 days

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Hi, mrbluesky, great review of a great album, I must say...
A fantastic record, as they say, standing out from the context of their previous discography, and those were times when almost everyone rebranded themselves in different and often lighter outfits than what they had always done... Backlash, backlash... The emerging New Wave also played a role, with many recycling themselves in the name of a often misunderstood greater simplicity and immediacy, even at the cost of undermining their technical abilities... Well, they had the merit of seeking a different path from the progressive of the early albums and the jazz-rock of the immediately preceding ones... After the tour with De André, however... And you're right when you talk about the acoustic choice of Francone Mussida and the taste of Premoli, even if in "Passpartù" I think the fretless bass of the "pasturized" Djivas and the "black" voice of Lanzetti stand out, in my opinion better and more expressive than on the previous album... it might be due to the suitably visionary and nonsensical lyrics of Manfredi, as the era demanded (what years....)...
I might be annoyingly snobbish, but I’ve always considered this as the last album of the Premiata... too much?
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Better even than the overrated "Fear of a Blank Planet".....
Metro Metro
30 may 17
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Well, back in the clip that could be seen on some "free" TV (how many years ago was that?...) they were much more digestible, image-wise, compared to the horror of the LP cover... and then the solo with the talkbox.... Bowie then stomped on it with a really ugly version, but we can forgive him, come on.... Not even S.R. Vaughan's solo saves it....
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Jaco is alive and fights alongside us.
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Hellraiser is right, at least a couple of the Bitols' albums are superior to Sgt. Pepper, and above all, Revolver comes to mind... But what beautiful colors and scents come to mind, what places (even of the soul...) while listening to it... Then, every now and then, a friend shows up who thinks the Stones are "better".... but how much effort did the Stones put into showcasing two or three aspects of their music (and anyway only up to and not beyond 1977, right?), few facets, in short... and how many facets do we find instead in the discography of the Four? We discover new ones, always... It’s true, they were strong in anticipating the new times, even if only by understanding right away and before others what had to come... But Bowie did it too, and Eno? And how many others? All anyway attributable to the Gotha of Rock and Pop, no?