Dislocation

DeRank : 22,35 • DeAge™ : 3008 days

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There are just a few little things missing, like the life of a reject in a baker's van in Hawaii, like the separation from Janis and then the fateful encounter with his father's gun.
But you did a great job, I like it!
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Now you can vote, the dark medievalism made in Bozen hasn't won.
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Either the stars are assigned to the reception or they are given to the work.
@[G] What new attempt at obscurantism is hiding all of this?
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No, the comparison with their '80s albums is not lost at all.
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I know little, but since Kota says it, I’ll look into it more.
Come by more often!
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As always, a remarkable work and a very beautiful review, made in Lulù, micapizzaefichi.
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Indeed, it hasn't aged very well, but between 1990 and 2010, many albums of "electronics" (purposely in quotes) keep it worthy company on the dusty and crowded shelf of "Not Listenable All the Way Through Anymore." But at the time, I liked it a lot.
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Good review, precise and heartfelt, very didactic.
I don't know them and I'll try to make up for it, who knows.
Now, maybe, don’t wait another thirteen years to submit the next one to us.
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He is as significant in Italian "author" songwriting as I am in the hunting of Burmese boar.
His laughable products are mixed texts mostly drawn from small and insignificant episodes of youth life, both in and out of the province, burdened by the continuous repetition of a stylistic formula instantly recognizable precisely because it is picked up ad libitum and tiredly.
Oh, is he very nice and down-to-earth?
And it would be a shame if he were snobbish and unpleasant.
To fully grasp the impact and value of his work, just think that he shares vast segments of his audience with those of Vasco Rossi, Nannini, and Cherubini.
That seems sufficient.
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Only Duke Ellington is missing, the great boxer, all fans and silences, and maybe, the pink garter, whoever saw it no longer sleeps.
What a wonderful tribute, really.