nix

However, I too, drawn to stirring in the muck and unable to resist the most base fun, get it all wrong. Especially because I forget to share my thoughts on the film's theme and this review, which I find well done.
"And probably for Zalone, it’s fine this way; these are expected collateral damages, as long as people go to see it. I don’t really think he cares to express his opinion on the theme; in fact, I doubt he even has a relevant opinion. He’s like millions of chatty Italians. Here indeed we proceed with the pinpoint practice of the generalized slap, without much else to add."
I cut and paste what, all in all, is the essence of the matter that I fully agree with.
Congratulations, Joe Strummer, and forgive me for my silly perversion.

There aren't great messages left; there are no particular readings. It's the nonsense of a comedian who can afford anything, and in this case, he fully exploits the absurd resentments that flow through Italy. And the record-breaking box office on the first day dramatically proves him right. Perhaps it will drop later if the word spreads that it’s a pro-migrant film. But for now...

aha haha, it's a legend, if it didn't exist we would have to invent it, with its little rules, my his comments, uppercase lowercase. That's where it explains its little things to us, aha haha. Go for it and don’t be afraid, legendary fes!

It was about time someone brought out this music encyclopedia updated to 1971, a beautiful and forgotten record. The extramusical reflection, while legitimate, is a bit wordy. That’s the only flaw. Otherwise, I find it a commendable review. Happy new year proggen_ait94.

motivated critique. I agree

My butler Guilfredo interrupted my nap that started three days ago, knocking on my door.
What the hell do you want, Guilfredo, let me sleep or I’ll put you in a shell of walnuts and water until Easter.
He insisted, contrite but determined: but... POLO has returned, against the R.E.M. this time.
We rushed to the terminal.
Michael Stipe, janitor of the ITIS. POLO, if you didn’t exist, we would have to invent you.
If you didn’t exist. But you do, and so we all have a good laugh. Guilfredo and I.

Yes, the meeting between Hooker and Morrison, what a beautiful thing. The cover to the waterfront. Was that the piece? How wonderful.
And you, Taddi, understood early on how to write a great review of blues music. You write about John Lee Hooker and his blues, but then you put yourself on the line, intimately, and write about YOUR blues.
The result of this identification between music and life is extraordinary. Perhaps it’s the only way to write original and engaging things about an album like that.
Well done, congratulations. Happy New Year, Taddi!

I'm sorry to take on the role of the heavy, a bit pompous, but it can't be helped. However, I find the review almost indecent.
"Unroll a nice base by Ennio Morricone from the '70s, maybe after having soaked it for a while in a solution of Rondò Veneziano." What the heck does that mean? Because those were the years of the spaghetti westerns Leone/Morricone, but one side is signed by Louis Bacalov? Is that it?
But Rondò Veneziano was Gian Piero Reverberi, not Bacalov. Their respective artistic ideas, for a certain period, intersected, but they remain two different musicians, who collaborated with the New Trolls in different times (and with different results!)
Two muddled stupidities, on an important record in the history of Italian music.

blue solitude, long steps, hands in pockets, head down, collar up on the streets of a big metropolis. Grand squares, we were missing small sidewalk Christmas bands. Soundtrack by the Box Tops. Taddi, you lived the days of the condor!!!! Only it wasn't New York but Turin. Who played the part of Max Von Sydow, the cold freelance killer chasing you? How curious I would be to know this story better.

Vituperio, this time I am with you, also struggling with the yes and adoring Gentle Giant, and in particular this album. More than a review, yours seems to me a reflection that I share.

splendid piece, as always.