dosankos

@Gnagnera, I hope you're referring to "Conan the Boy of the Future" by the genius Mihazaki, not "Detective Conan"...

On RAI at the same time they were airing BIG, a precursor to Solletico, which was qualitatively superior to BIM BUM BAM, but at the age of 7-10 it was such a drag. It was too documentary-like. After 5 hours of school, you didn’t want that kind of stuff at that age. Bonolis and Uan were more overwhelming. They seemed like Totò and Peppino. Then Bonolis replaced Uan with Laurenti... Uan was better.

After more than 5 years, I saw him again at a friend's house a couple of hours ago. The kid is almost more unsettling than Nicholson!

"...and never to be able to drink from the cup in one go, but in small interrupted sips." It would be my ruin. One of the peaks of Faberone. My favorite after "Anime salve" and "La buona novella." I would add, "estiqaatsi" here too.

Maybe if we chant "a hundred, a hundred" like Zanicchi on "Ok il prezzo è giusto" we'll get there faster!

You read my mind. You know I was planning to review a Monicelli film soon too? Not this film, though. I was waiting for the good times of the August holidays. The first time I saw it was in fifth grade at school. The funniest scene is the one with the pot being shot at by the Germans to make roasted chestnuts. The tragicomic atmosphere captivates you. Monicelli always leaves you with that undefinable aftertaste... (Then again, everyone had really seen the war). It was the era of masterpieces landing in Hollywood.

A bit more raucous compared to the earlier works of Banco. It seems musically more relaxed.

Less than 4, absolutely no. "Canto di primavera" is definitely less complex than the earlier ones, although the atmosphere is fascinatingly delicate and melancholic, this doesn't prevent it from being a rather crude album. The '70s are over and... someone should also write a review of "Urgentissimo" from 1980.

After this laxative treatment, I'm going to sleep. As I've said before, there are people here who work!