dosankos

Eight lines to describe one of the groundbreaking LPs of Edo and Italian songwriting? I stopped at "it's an album that doesn't have much to say."

I respect them even though I have never really listened to them, even though I know them and they live 5 km away from my house.

....and 16

An album that wisely mixes the early 2000s albums "Stato di necessità/L'eccezione" with those from the end period "Eva/Elettra", even if it seems to distance itself from the latter two to find a less demanding style. I've loved her forever. I was struck by her back in Sanremo '96 and '97 and realized that she wasn't fluff like many of her chart-topping peers. The review is impeccable in terms of the emotional side of the album, but it neglects to describe the music en-plein. An album that slightly distances itself from the previous "Eva" and "Elettra" to find a more "pop" style. The quality is still top-notch. I've been following her for twenty years now and I adore her both as an artist and as a woman. I understood from her debut that she wasn't chart fluff, unlike many of her colleagues. Perfect reception on the emotional level, but the musical description is missing.

Track by track analyses are usually boring, but yours is very original. A.P.P. during the peak of their best years '76-'82.

Three months ago, I was about to pick up a 128. I know no one gives a damn, but I wanted to say it.

Just analyzing the multiple facets of a simple verse like this is enough to understand all the depth and torment: "Je sto vicino a te, pecchè ’o mundo è spuorco."

Watchable but flat. Only Hopkins (to whom I forgive everything) rescues the fate of the film. Almost 3

How much are we still subjected to that phantom "American freedom"... Congratulations Syd