Psychopathia

Many years ago I loved her to death, I even saw her live. However, I liked her as a "parody" of a rockstar; the last three albums from 2002 onwards, but also Stato di necessitá, didn't excite me at all. I don't know if I'll listen to her, I've never liked her singer-songwriter shift (even though I know she couldn't keep being the girl with the guitar at 40 and something).

good job Federico, but I don't know if I will buy the album. For my tastes, the last valid one is homogenic, and for me, 18 years weigh like lead... anyway, he's brought back his grit and that's nice.

Marilyn Manson has NEVER been industrial, nor were Nine Inch Nails. Antichrist Superstar was a great hard rock album. Industrial is something else and it was born after punk, and even before (see the early tapes of Cabaret Voltaire and the live performances of Suicide). Anyway, for a period I really appreciated Marilyn Manson, but by the new millennium he had done what he needed/could do. Now it's enough though.

If it's prohibited for those under 14, how did you get to see it?

It must be nice, but I still have to take in down the colorful hill, bought way too late. And yes, I only have one of sun kil moon too.

RECE AND DISKO SPACED OUT!!! I'm rating the album on trust (I couldn't finish it).

You did well with this reissue. I remember the cover but I never bought it. I went to look for it but it’s out of print.

absolutely correct! The book was very unsettling, both for the ending and for Lecter's flashbacks. I give it two stars just for the part set in Florence. The modified ending is simply absurd, a marketing choice not to shock the audience in the land of stars and stripes. But back to the book, will Thomas Harris ever have the courage to write a sequel? (Let’s leave aside Young Hannibal, probably written in 48 hours to make money: but after all, Harris could afford it; he has written only 4 books in 30 years, all of which are excellent.)

Initially puzzled by the pre-download (something I never do), I ended up getting it on CD, but I need to listen to it carefully. It still seems in line with the productions from 2000 onwards. Let's face it: the EN of the '80s die with tabula rasa (or with ende neu?). Then they became something else. On one hand, it's a shame...

I find it hard to listen to him, partly because he wasn't exactly my kind of music, and partly because in '97, since I heard Highway Kind, my downfall began, or rather the rough patch from which I still haven't emerged. Anyway: I have Live at Old Quarter, Live Monumentale (actually just guitar and voice, and it's missing a few tracks because it was recorded worse than the others). I repeat, it's not my genre, but one cannot remain indifferent at all. It hurts. And the review does justice to this intense but outcast singer-songwriter.