Dopesmoker

DeRank ™: 0,91

DeAge™ : 6119 days • Here since 8 september 2009

Love Contact

Johnny Cash American VI: Ain't No Grave

26 feb 10

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I would give five to a priori. If I weren't picky.

Jaco Pastorius In New York

26 feb 10

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You know I wanted to get this a few days ago? I'm giving myself a sneak preview, though.

Yo La Tengo Painful

16 feb 10

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Between yesterday and today, the homepage is bustling with beauty.

Black Flag My War

16 feb 10

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Alright, I almost forgot, but I think it's implied!

A somewhat superficial review (see the errors highlighted by Fiquata), for an album that can easily be dissected and should be regarded as a cornerstone for the development of at least half of the subcurrents of "American" Rock (and everything, come to think of it).

Keith Jarrett Vienna Concert

15 feb 10

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A formally perfect review and an essential work for jazz lovers. And Jarrett is at least among my top five in that field.

The Brian Jonestown Massacre Who Killed Sgt. Pepper?

15 feb 10

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Damn, the last three on the homepage have brightened up my day a bit. This has been lying on my desktop for weeks, I still have to find the time to listen to it, but as a fan of Newcombe, I think I will enjoy it.

Mastodon Live @ Magazzini Generali, Milano 04.02.10

12 feb 10

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How wonderful it is to read on DeBaser a typically Neapolitan slang like "a mostro"!

Vic Chesnutt Is the Actor Happy?

11 feb 10

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Indeed, the review is deserving, in my opinion. Although I don't particularly like the story of the recommended ones. Since last Christmas and in the days to come, historical revisionism will become an integral part of the (already damned) figure of good Vic, but maybe, as someone said, it’s not even that bad, given that works like the aforementioned "Drunk," the reviewed album (my favorite), "West Of Rome," and not least his latest legacy "At The Cut" are imbued with a sincerity and artistic urgency like few others. More than understanding it, his music must be internalized directly. It’s as if to say that if one is not in the right state of mind, it cannot be fully appreciated.

The Bloody Beetroots Romborama

9 feb 10

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In the "dancefloor" scene, Electro and Break Beat, as far as I'm concerned, go hand in hand nowadays. The boundary between the genres has gradually thinned out, not a small part of this has been contributed by artists like Far Too Loud, B Phreak, Bsd, Maelstrom, and the dancing crew. In short, the concept of New Skool Breaks has burned all the bridges that used to exist. One could even put all these offshoots into a single melting pot, including Fake Blood, so much so that in most sets from that scene, tracks belonging to seemingly diverse styles are played indistinctly. Ultimately, I consider it all one story.