Dopesmoker

DeRank ™: 0,91

DeAge™ : 6118 days • Here since 8 september 2009

Wugazi 13 Chambers

3 aug 11

Voto:

However, by saying this you also exclude Cabaret Voltaire, This Heat, and similar acts, not to mention those who, historically speaking, worked exclusively (or almost) with tape manipulation, right?

Wugazi 13 Chambers

3 aug 11

Voto:

And so they arrived here too, these guys have really made a splash.

Nils Frahm & Anne Müller 7fingers

1 aug 11

Voto:

I have to give him a listen; he convinced me a lot with "The Bells" (I think I got to know him right here).

Of Punk understood in a strictly musical sense, the Californian season (pre, during, and shortly post) is the one that excites me the most. Recently, a great mixtape by Jon Savage (not just some jerk) appeared on Vice:

SoundCloud - Hear the world’s sounds

Ah, I don’t know them, my bad.

The Van Pelt Stealing From Our Favorite Thieves

28 jul 11

Voto:

I apologize, I just checked on the lp: Ted Leo handles the backing vocals on that masterpiece of a track mentioned above.

The Van Pelt Stealing From Our Favorite Thieves

28 jul 11

Voto:

Tad Leo, if I'm not mistaken, also plays guitar in "His Saxophone Is My Guitar," and yes, the Pharmacist isn’t bad at all (there's a great concert of theirs on Wolfgang's Vault). A separate discussion for Native Nod, "Today Puberty, Tomorrow The World" is one of the greatest titles I've ever heard. As for length, yes, Van Pelt definitely deserves a much broader treatise, but that’s not really my style, pardon.

Cro-Mags Age of Quarrel

25 jul 11

Voto:

For me, they are the emblem (one of the emblems, I guess) of the testosterone that killed Hardcore. What was truly 'core in those years (1985 - 1986) mostly came from the capital; ask Guy Picciotto for details.