ChaosA.D.

I really enjoyed the review; in fact, when it comes to Slayer, and particularly RIB, it often falls into the banal (brutal, shards of violence, the Bible of evil, Satan in music, etc.), so well done. I love the album, I've had it for a long time and I always listen to it with great pleasure. Hello everyone and have a great day.

Sufficient review, a bit uninformative but overall pleasant. I like the album; it doesn’t scream miracle, but in its genre it's nice, simple, and immediately accessible, even though it has very little gothic in it. Hi everyone and have a good day.

Beautiful review, and the album is a true masterpiece of Swedish melodic death metal. I don’t know how underrated it is; in fact, I’ve read many positive reviews about this work, which is often used as a benchmark within the discography of this great band. Hi and have a good day.

Great album and nice review! Hello and have a good day.

Nothing to forgive, of course! In fact, you've given me the starting point to express an important concept for me, so I should thank you :-) Anyway, you have the right spirit to "survive" on this great site! Well done. Goodbye and have a nice day.

The review is well-written and fluid, but I have one small note (more of a general idea than an observation directed at you) regarding the brief initial mention of "true," a term that I've always found somewhat limiting and, I must say, a bit unnecessary because if we are to look at the true/false metal discourse, then the majority of bands are "false," like Slayer with their hardcore influences, Fear Factory with their futuristic-industrial references, Emperor with their orchestration, etc. What I mean is that among all the labels, the "true"/"false" one is the least categorizing and useful for navigating the vast musical landscape today. Because, leaving metal a bit aside, if we were to talk about "true music," we would only discuss Puccini, Verdi, and a splendid company, since everything that comes after, in my opinion, is inspired by that enormous past, deconstructing it, modifying it, and creating always new and superb things from it. Sorry for the pedantic madness, and anyway, welcome to Debaser. Hi everyone and have a good evening.

A true masterpiece, dreamy, energetic, violent, reflective, and emotional. A little musical treasure to hold tightly in your collection. Nice review. Hello and have a good day.

You write well, I don’t agree with anything you say, but at least you try to be funny without killing the Italian language by including monstrous errors in your reviews, deliberately made just to try to get a laugh. On this, well done! As for the rest... commenting is unnecessary, the only thing that saddens me is that this album will sell a lot... Hello everyone and have a good day.

The review is well-written and the analysis is simple and readable. I don't like Povia; his music doesn't match my listening standards, so I carefully avoid listening to it (and voting for it, obviously). As for your "little" rant, well, what can I say... I think almost every user on the site has been lynched at least once for their opinion on an artist or an album (it has happened to me too), so my advice is simply to not care! If you like Povia and want to describe him in positive terms, go ahead! Comments are just opinions and nothing more; those who write them have the right to post them (whether justified or not), and you have the right to ignore them. In the end, you're not writing poorly, and if this genre of music pleases you and makes you feel good, just listen to it! Bye and have a nice evening.

I didn't dislike the review; it was brave (to speak enthusiastically about such a song on a site is indicative of either courage or madness and a desire to invite some insults) and well-written. The song, setting aside historical-political issues (anyone could have sung it, with different words but the same musical background), I personally didn't like at all; I found it to be the usual melodramatic Sanremo-style pop/pseudo-engaged dish and so on. I repeat, no politics or history here, I simply found it utterly flat and even irritating. Music around the world has evolved, and for better or worse, it has become contaminated, giving rise to both absolute masterpieces (the good Miles has gifted us many), niche genres (extreme metal et similia), and mass-produced products that provoke so much debate and discussion (the various boy bands); and what about our country? It just stands by, comforting itself with a few glimpses of brilliance that have managed to reach the public (I'm talking about various De André, De Gregori, etc., whom I may not particularly like but I deeply respect) and relegating some good realities to the ears of a few. Sorry for the outburst and have a good day everyone.