fiquata

Well, in my opinion, it's more Santanché who is painting Mastella's nails.

It looks like milk, but it isn't.

No, back then he still liked Cannibal Corpse.

BOKKINI with the double K does a lot of bondage. Cool! Well, the number one stays him, but we don’t say the name otherwise he pops up suddenly.

It was nice when Nick would go under his reviews with I Love Music and fill them with comments... ahahah.

Damn... the goodbye message! Metamatic made me read it, like "I'm leaving because Debaser takes time away from my loved ones...". What page is that? I can’t recall it. I need to make a giant post-it with all these nice things that sometimes come in handy.

I'm intrigued: "But how many damn identities does The Punisher have?????? With Lisa's help, I've discovered 5...." ...but it's not opening, damn it.

St. Augustine said that natural law is the transcription, in the human soul, of the soul of God. Now it’s time to decide which God, because God is as much idea as custom. Then, Hobbes said that the only law that exists is secular law, the one that exists, in the world, both morally and physically, is the one that man creates. No doubt about it, in a multifaceted and generalized world like the current one (but it has been like this for at least a hundred years, intellectually for two hundred, maybe more), the only law is secular law. I root for natural law, but to avoid regression is tough. Essentially, whether it’s secular law or natural law, the problem is the same: it’s that man, however you turn it, is a piece of shit. He and what he invents.

True, it doesn't seem like Cronenberg, but it's a great film, especially the beginning I liked. I prefer A History of Violence, which in its gratuitous violence feels much more like Cronenberg. In short, violence!

"Writing little songs only serves to further inflate their ego." "Not a song. But still, reading a lot of books on the subject (pro or against the mafia) is the most serious way to get information." If it were a normal song, I could even pretend to understand, but with rap, you have the opportunity to say a mountain of things. The CoSang album is like reading a collection of short stories by Bunker, no more, no less. They don't aim to change a damn thing, but rather to tell their story by recounting their lives. If you had only listened to one (and I mean one) song by these two, you would have saved yourself a lot of time. In the end, Bunker doesn’t write to eradicate micro-crime from America. He writes to express himself because he is an artist. Your reasoning (if we can even call it that) might apply to the crap from the May Day concert, Modena City Rambles, and Bandaberdò, because some people need to wash their mouths out before they speak, but not for these guys, who more than profiting from it, they die from it, as they don’t tell you that the Camorra is bad. No, they tell you that they don’t know where the system ends and where the social system begins. Go read the link in comment 2, watch a couple of videos on YouTube, think about it for a moment, and you’ll see that you’ll change your mind. You’ve got it all wrong. That said, stop.