carlo cimmino

I didn't express myself well. Not me either. The review is just fine. Bye!

Indeed, dear Frenk, I misspoke as well since I had perceived that your intention was not to blame the good Majorana. In any case, yes, it would be appropriate for everyone to read this book. It should be "imposed."

Dear Mr. Moustache, I didn't mind your review. Just as it's known that I am an aficionado of post-apocalyptic themes and science fiction in general, I didn't mind the film either, which - let's be honest - is not a masterpiece, nor one of the best in the genre, but certainly not a colossal mess. Okay, many of us would raise a glass to the disappearance of the Bible, but the concept of the film is solid, Washington is definitely good, the girl is quite hot, the final twist is excellent, and the settings—a mix between Waterworld without water, Screamers, and Ken the Warrior—are definitely intriguing. However, just like in Waterworld, the story is good, but the execution is merely adequate. The plot overall is, in my opinion, rather poor and even predictable in some respects. Between three and four as far as I'm concerned. What a shame.

I have a particular fondness for the figure and the story of Ettore Majorana. And this fundamental work by the greatest Italian writer-intellectual of all time, Leonardo Sciascia. It is not my intention to polemicize with the reviewer, who once again – like in previous cases, since this current Deep-Frenk is one of the most esteemed contributors of the entire DeBaser – has done his job well, yet I wonder how accurate it is to assert that Ettore Majorana lacked an enormous spiritual and character strength. Likely more talented than the others, more arrogant and distinguished, as well as a bit – and this is fully justified, considering the tragic events of the first half of the last century in particular, not to mention what will happen in the latter half... and even today! – fascist and pseudo-metal enthusiasts, the "Ragazzi di Via Panisperna," unlike them, Ettore Majorana never prioritized career possibilities and success over his moral laws and intellectual honesty. Ettore Majorana chose to be faithful to his ideals. He has gone down in history as a weak man, as a loser. Yet his lesson is immense and all too often forgotten. I care for him.

Not at all, Kosmo. Let’s just say that after "Bubblegum" he started to linger in a sort of limbo. I have the feeling that time and again various Soulsavers, Isobel Campbell, and Greg Dulli try to pull him into these more or less interesting projects, which he participates in without particular enthusiasm and/or conviction. Maybe I’m wrong, who knows. I would also like to thank supersoul and imasoulman for the necessary clarifications. In fact, the review had misled me regarding the authorship of "I'll take care of you," which should indeed belong to Brook Benton.

Thanks for the tip, Andrew. I'll steer clear of it!

Really, really interesting. And beautiful [I suppose]. It's true that this work has little to do with the masterpieces of the great John Le Carré. But this last one and all his works, without exception, have given me such an immense, unquantifiable amount of unforgettable emotions - it's well known that I don’t sleep at night, questioning in the darkness of my bedroom who’s more badass between George Smiley and Chandler’s Philip Marlowe - so I really owe it to myself to read the book by his offspring. Good job, Tetris.

Come on. Does II really exist? You catch me off guard.

Voodoo, thank you so much for the advice!