brusko

Ah, here we go, well, in that case, I’ll quote all of Lagna-Rock Carl for you. What the hell PFM, you're already there, you have 25,000 euros, just play. I get it that Woodstock is long gone, but 25,000 euros is not chump change (or is it chump change?).

Yes, primiballi, let's say that the one in the works was more of a protest vote, in the sense that we can't take all these new Liga releases anymore. Then about Buon Compleanno Elvis, well, I don't know, are you calling it clever? Booh, I remember that when it came out I was still in high school and anyone who could play the guitar, at assemblies, little parties, post-five-a-side football games, would almost always play those songs. Maybe it was a bit of a crowd-pleasing album, but it was also one where every track could easily have been released as a single. It practically had no weak points. After that, regarding the choice of singles, he started making mistakes from Miss Mondo onwards; for that album, the most radio-friendly tracks were Supermondo and Da adesso in poi, but he chose others. I would say that after that the only successful singles were Eri Bellissima and Happy Hour. Obviously, I'm referring to radio airplay.

You know, I was just listening to Stevie... what a coincidence. Not this one though, I don’t have that. I’ve heard about the Montreux festival, where Rory Gallagher also played multiple times, another monster of the six-string. Nice review and great Stevie Ray Vaughan, and... fuck the helicopters.

Yes, I liked it, but, you know, the fact that it's all a damn business isn't exactly the discovery of the century. And then realize that you basically confessed that if the show got postponed, it was partly your fault... I guess if any of those with tickets read this... whatever.

The first line had me in stitches. Thank you :-D

I still gladly listen to some of his early albums, those up to Buon Compleanno Elvis and the live Su e Giù da un Palco, which I think are excellent. But in the last ten years, he's definitely been a pain in the ass. Between mediocre new albums, useless books, films that are worse than useless, compilations, live videos, DVDs, etc., etc., he's been a real nuisance in an embarrassing way. I mean, practically every month he releases something. Enough already, Lucià!

You are a fucking genius, that's what you are. And Ed Warner was my idol, damn it.

The most beautiful goal by Maradona was the hand goal in the '86 World Cup. The 5 goes to Maradona, not to the film/documentary, which I haven’t seen. I find the review terrible, the usual clichés about Naples, Neapolitans, the adoration of Maradona, and all the most worn-out stereotypes. But have you read all the comments by GBRUNORO, huh? Oh my, and then they say others are the fools...

Very interesting this diatribe Elton Joel vs Billy John, who wins?

Enough talking about influence; these days, it's not a joke. I like this album, and I also liked the review. What a drag the DizionarioRock is; the Antologia was way better. Anyway, DizionarioScaruffi, have you ever heard of personal tastes? You know, those according to which if I listen to a record by Faust, Neu!, etc., I'm hit by a sudden attack of explosive diarrhea, while if I hear this album, it goes down smooth? Have you ever heard of such things, or do you just parrot the rankings made by the national Scaruffo, like that brainless NEU CANNAS, or whatever his name is? Always the same damn discussions... that one was more important, had a greater impact, was more innovative, knew how to play better, and other nonsense. I mean, can't we just listen to a CD because we like it, period?