clauderouges

I’ve been a fan of Bersani since his first album, and I must say this is one of the albums I like the least. Let’s say there are some masterpieces like "Giudizi Universali," "Braccio di Ferro," and "Coppa Uefa," but there are also missteps like "L'istinto," "La Risposta," and "Crazy Boy," for which the arrangement used by Fiorella Mannoia was much better. Ultimately, it’s a somewhat heterogeneous record. My favorites are "L'Oroscopo Speciale" and "Caramella Smog," which are much more mature and cohesive.

...YAWN!!...

Look, I read your review carefully and I voted on it independently from the album. Honestly, I think it's poorly written, aside from your opinion about the album. Have you ever seen all those annoying dots in a review? Stuff that even a second-grader wouldn't do.

Vasco today fills stadiums only because he is a character. The number of fans is no longer indicative of the quality of a singer’s music. Even Fabri Fibra is famous, but that doesn’t mean he writes good songs. Vasco's early albums were beautiful and genius, in my opinion, but since "Gli Spari Sopra," it has all been a downward spiral. Come on, please don’t tell me that the latest "Il Mondo che Vorrei" is a good album. Besides the fact that the titles almost all contain the words "you" and "me," the lyrics and music are banal. He’s fifty years old and still writes lyrics praising girls' butts. What the hell, he’s regressing. At least once he sang "Portatemi Dio" and "Non Siamo Mica gli Americani," which had depth. Now he writes the same stuff any singer from Amici would write. He can’t renew himself and lives in his own past, just like his fans.

The album was the second chapter of Vasco's decline (after the mediocre "Gli Spari Sopra"). A horrible and falsely rock album that is only saved (maybe) by the presence of "Sally" and "Gli Angeli." The single "Mi si escludeva" I believe is the ugliest song ever by Vasco. The review is almost worse than the album. But................................ .........how....................... .......................many........ ................................... ....ellipses....................... .........do you put?

I've listened to both this album and the previous ones "Tradimento" and "Bugiardo" and I've concluded that Fabri Fibra is a manufactured phenomenon designed to attract middle school kids with fake outbursts of anger. From a technical standpoint, Fibra isn't even capable of making rhymes. I've never heard anything in his songs that can be considered a rhyme. At best, there are some simple assonances and identical rhymes (like, for example, "palla" rhyming with "palla"). Not to mention the nonexistent meter and the nursery school cultural models. Did he even finish elementary school? I was definitely writing better than this rap fraud in the second year of middle school.

I agree that Morgan isn't exactly the most likeable person, but that's another story. I listen to his albums, I don't go to the bar with him. Certainly, "Da A ad A" is an album made with meticulous care, mastery in composition, and I think also a touch of genius. I maintain the idea that Morgan is one of the few true musicians left in the Italian pop scene, and this is partly due to him, but alas, it’s also the fault of the incompetence of almost all the other much-lauded singers. I genuinely wonder if the reviewer knows a bit about music to have given such a negative judgment based, in my opinion, solely on his personal dislike for the reviewed artist, something a critic with a modicum of competence and objectivity should never do.

I like Knopfler, but this is one of his worst albums. The most beautiful song is actually the title track, especially because of James Taylor's contribution.

It's not bad. In fact, it's the best since "Don't Tread on the Flowers in the Desert." At least he realized that rapping is not his thing and that it's better to call someone else to rap. Now he might also realize that he should go back to singing in Neapolitan and stop with the clichés in Italian written just to sell all over Italy (and I'm saying this as someone from Bergamo). The only thing I really don't like about this album is that splitting it into two parts, even though it was advertised as an anti-crisis strategy, seems like nonsense to me. In the end, it’s not that you pay less. You pay half, but there are also half the tracks. The real revolution for Pino would have been selling a complete CD for ten euros. This is just an EP.

I don't believe that pop is just about catchy tunes. There are pop works that, in my opinion, are on the same level as classical music masterpieces. Of course, I'm not thinking about Vasco or Ligabue, but for example, this album by Stevie Wonder, which is a masterpiece of contemporary music.