telespallabob

@Iside, I don't think so. I'll decide at the last minute but I don't believe I'll go.

A little chat? I swear at one point you seemed drunk! Guys, you should have seen him under the stage, how he was shouting, honor and glory to him. Anyway, Live are impressive, absolutely a must-see and get to know. Since they also turned out to be very nice.

Avoidable album? I don't think so. Controversial, yes. Zawinul was the charismatic leader of the group; he was in charge. There's not much to say, and the others either conformed or left. He tried a different path and got this—a record that I listen to rarely and have never fully liked. Essential Weather Report albums? If only there were one, if only there were more. Later there will be "Night Passage," but especially "8:30," above all.

I thank those who participated. @Alia, you don’t have to apologize. On the contrary, your comments on what’s happening in Bergamo are very useful because they can provide comparisons and deepen the discussion I covered in the review. @Mocampo, it should be Luca Sapio the guy you’re referring to. @Iside, I’m being nice. I went easy on you; in your irony, there are way more violent comments. @Nosebleed, damn! You could have told me you were joining too, what a shame. Anyway, I’m glad you joined the petition. P.S. A small service note: this review does not fall under the “I Live di Telespalla” section, which will resume shortly.

The album is very good; we’re talking about a respectable band. The review is decent but could have been done better.

It's not the stench of disappointment: it’s the realization of having touched the shit. It’s a terrible movie, no ifs or buts.

Circus... reading your review, this word struck me. It's clear the positive connotation you want to give to Tom Waits, his work, and his way of presenting himself on stage, but you used the wrong word. You probably should have used theatrical terminology. Everything else is well written, with the right elements and perfectly summarized.

It's a work that marks a clear change from the previous stuff (the cover is the first hint; listening to it confirms it). What can I say? For now, a disappointment.

In my opinion, the best album of C.S.I., primarily for their ability to target certain hypocrisies of society that had never been achieved by CCCP, and for its dreamlike, almost apocalyptic music, dense with pathos. An immense record and a remarkable review (even though it’s yet another one; undoubtedly, discussing an album like this is anything but easy).

We are on the Psychobilly, reading the few lines of the review (extreme for a ZOT!). I'll try to listen to it, since I might really like it a lot.