telespallabob

Allow me, two reviews in two days and two duplicates in which you said nothing at all. Does it take so much to give a 1? Thank you for your attention.

I've never liked it; I still can't understand how it gets so much praise.

Review that I didn't quite like, lacking attention to the musical aspect and filled with a series of clichés, like the second paragraph. Albums like these deserve thoughtful reviews rich in charm.

What a beautiful review, extremely evocative. Congratulations!

A review I didn’t like; it falls into the banal and perhaps doesn’t capture the essence of certain Bennato messages well. Let’s remember that this was an album with a sound that was definitely more open to the general public, after an album like "Uffà Uffà," which many called difficult. Certain themes from "Burattino Senza Fili" have been revisited; the turning point of the album lies in the two songs least involved in the concept: "Ma che Sarà" and the Title-Track. It’s a Bennato who encourages subversion and ingratitude against certain powers that would even support him, expecting gratitude in return (“Gli impresari di partito mi hanno fatto un altro invito e mi hanno detto che finisce male se non vado pure io al raduno generale della grande festa nazionale”). “Non Insegnate ai bambini,” Gaber said before he died. I dread to think what they would understand if they were taught the explosive potential of anger and rejection towards the established order that Edo’s songs hold (starting from the songs of this album, often played for children as if they were just a happy fairy tale). What a pity, Bennato isn’t for everyone and not everyone deserves to listen to him. An immense artist, I leave the fairy tales to others: this is the cruel reality mixed and packaged to be digested after terrible stomach pains. Some appreciate the raw words more; it’s true that sometimes they are necessary, but the most devastating messages are those that can better disguise themselves and serve as a reflection for those with intelligence and critical spirit. I am proud to have grown up also thanks to his songs.

Good album, seasoned with good things and some stylistic mistakes; musically they are not that powerful (as ElectricOne pointed out) but capable of offering a remarkable overall picture.

And you thought I was wrong, damn it!

I don't know him, but it's all stuff that I might like, so I'm on the lookout. Good job, Fede!

I've always liked Bersani, but I have to say, unfortunately, that I listened to him with a lack of enthusiasm and he disappointed me. I need to revisit his ideas and then I'll vote, but my initial feelings are that they might be the right ones.

Now that I've seen it again, I feel entitled to a more in-depth opinion. Let's start with the actors: Diane Kruger and Waltz are both exceptional, with the latter being monumental. Melanie Laurent, on the other hand, didn't impress me in her role as Shosanna. The music is perfect, especially "Cat People." It's a film that keeps you on the edge of your seat, paralyzing you, and is always kept alive by a striking line or an unexpected twist (just look at the dialogue between Landa and Shosanna, for example). Only "Pulp Fiction" by Tarantino has captivated me more. Is it a masterpiece? Let's give it some time to earn that definition; it's a 4.5.