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Just watched it ( @[Bartleboom] is on Netflix), really, really nice, it was a lovely surprise, a solid 3 and we hope for a great sequel. Among other things, some splatter scenes have a remarkable sense of humor (especially in the final showdown, with the guy wandering around unable to see because two half-bodies have landed on top of his head; at times that fight seemed to me like the splatter version of the brawls between Bud Spencer and Terence Hill).
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Well, with Ride I still need to catch up on the one from 2017; if this one has Blur influences, I'll catch up on both.
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Years ago, I read that only a few, at least upon its release, probably managed to get through the entirety of this and "Tago Mago" by Can: I listened to the latter and liked it, except for Yawn, as I renamed "Aumgn". Eventually, I will probably try to listen to this one too, maybe motivated by this nice and original review. However, regarding the scattered comments above, something must personally stimulate me to delve deeper, otherwise, I typically move on and never return to albums that I really didn't like at all: it’s really hard for me to revisit albums after years and years that didn't resonate with me from the very beginning.
Swans Filth
30 dec 18
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@[POLO] I’ve uploaded the cover image to the database, but I’m not sure if it will be visible on this page (if you click on the artwork page, you’ll find it now). In any case, when there are problems with images, contact (with skepticism, of course) the "imaginary" group; you can also request to be part of it so you can fix them directly. The review is good, but I’ve never listened to the early Swans albums; I’m one of those who belong to the "grand vizier of fools" category, and I discovered them with that absolute masterpiece "The Seer" (the most important album of this last decade, for me), and I also love the subsequent two doubles, as well as Soundtrack for The Blind and White Light from the Mouth of Infinity (I should listen to Children of God more carefully).
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I'll review and read it as soon as I can see it (probably not anytime soon for a number of reasons). I read a little bit a few days ago, and the idea of an "interactive" episode is yet another innovation/evolution of one of the most interesting series ever.
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Aho, this one, I like it. The almond panettone from the peel, I have to try it, there's nothing else to do.
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Editing
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Unfortunately, I never listened to the debut (I know well the two that followed and some others after, like L'oroscopo speciale), but he is certainly one of the best "new singer-songwriters" we have. The review is very nice.
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It's on Netflix, I'm definitely going to watch it. Great review!
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I really don't know what grade to give you, in the sense that the reading is undoubtedly interesting, but I don't agree with practically anything.