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Never listened to, but I already know that the review is perfect for them.
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Definitely a review not "from Lulù," and just for that it should be rewarded (One experiments!). I don't know all of Neil Young's work, and in particular I haven't gotten this album yet (Yes, I know it's one of his best, I'll enjoy it like a fine wine).
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Genius and Monumental. Both rece and work. The users are obviously out of this world, especially those with the triple 0. Authentic #acazzodicane users, and isn’t that something?
Can Tago Mago
4 nov 20
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On Can and Tago Mago: I acknowledge it as a 5-star album, but at certain points it's almost indigestible: as sometimes happens to me, I recognize the value of the record but I'll listen to it once every 2 years if I'm lucky, and that's not exactly the kind of relationship I enjoy having with music. Regarding the review, you did well to send it, if nothing else for the comments and the participation it generated: it's also (and for me primarily) about this, the deb
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For various reasons, last year I revisited a lot of philosophy, discovering/re-discovering things I hardly remembered at all. In particular, I focused on Wittgenstein, a sort of black hole in the history of philosophy. Does he appear in this comic?
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I've never loved Tex; I've always considered him a character far removed from what I've always appreciated in character portrayals and the themes addressed. To be clear, I have all the respect for a comic that is still at the pinnacle of Italian comics, but when you get the chance to read a Ken Parker, well, it's hard to go back to the classic portrayal of the hero who never makes a mistake and only has certainties. I did, however, buy the latest Texone by Villa, just for the drawings.
Sigur Rós ( )
25 oct 20
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I even bought it at the time, but it actually bored me as well, despite having nice parts and landscapes, without a doubt), which is why I stopped following them. Interesting reception for the two faces and an extra star for that. I avoid rating the album.
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The award-winning company Albarn/Coxon practically never stops; it's hard to keep up with them. I've always followed Albarn's solo work less compared to Coxon's, so I'm not exactly sure what he released right before this and immediately after the second The Good, the Bad & the Queen, but Coxon alone has put out 3 albums in about ten months. I don't think there are others at the moment who can compete with such quality and quantity. It feels like a thing of the past, one might say. Focusing on Gorillaz, Demon Days is definitely my favorite, but I haven't listened to all of them; the new project intrigues me, I had no idea about it.
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But what the hell did I miss? What happened?