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Think about those who went through adolescence and are still stuck in it now, with their dri'm fi'ata, selfish.
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Very nice, and there’s also the main piece from Frank's band (a perfect character in which pathological fragility, madness, and genius coexist) "i love you all," definitely not a 5, but a solid 4 for sure. I wanted to say that there’s also the main piece from Frank's band that instantly got stuck in my head: "i love you all."
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I gave up after the first few lines, anyway dear reviewer, tell the other reviewer of the Fù Fighters at home that the album is called "Sonic Highway for the Fù Fighters" and not "Sonic Highways," at least they should get the titles right. The other Fù Fighters reviewer put up the wrong cover too; in fact, they were saying it was super beautiful, and jurix was wondering, "How is it possible that the reviewer says it's super beautiful? Did they not insert the right one?" Good job inserting both the correct title and cover. Now, when jurix sees the real cover that's been inserted here, they'll bug their eyes out and say, "Wow, I've never seen such a beautiful cover!" Oh, I gave up on the review after the first few lines because it was just too beautiful as well, so triple 5 for the correct cover, the right title, and the correct review (too bad you can't give three 5s). You only got the first "Fighters" wrong; in the second, you rightly corrected it to "Fihgters," but it doesn't matter, no one can take away your potential triple 5.
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Among other things, I believe it is the first album after the 4 concept albums of the 70s to have a "circular" structure, meaning it starts and ends in the same way.
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Great album for me, pointless to make comparisons with The Division Bell, they are 2 profoundly different records, and in any case The Division Bell is anything but anonymous (A Momentary Lapse of Reason is indeed anonymous, flat, really bad). This album is a journey, as intended by the authors, definitely with reminiscences of the past (but the beautiful Anisina has nothing to do with Us and Them for me) and with thrilling moments.
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In reality, it's true that the foundation of the album comes from the sessions of '93, but it has always been conceived as a separate project ("the big spliff," they called it "la grande canna") and originally it was supposed to be one of the 2 albums they were going to release in '94 (basically, The Division Bell was meant to be a double album). They wanted to do an experiment similar to Ummagumma, meaning one album of songs and one instrumental album, but then they changed their minds, maybe because the post-production of twenty hours of jamming would have taken too long, who knows. Of course, I agree with the review that they could have gotten a move on earlier, damn.
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The review is beautiful, the first listen of the album was truly something beautiful and emotional, it's hard to give precise evaluations just yet, for now, a four. It’s worth mentioning that there’s a particular charm in the fact that it's completely instrumental, with the only sung piece at the end, and the feeling is really one of a journey in every sense; I don't even know if there are any pauses, it gave me the impression of a continuous flow. Oh, and I rushed to buy it, after all, it’s the only Pink Floyd album that I’ve awaited for demographic reasons.
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And here is the second review experiment with four hands, excellent. We could also do "double" reviews with 2 opposing ratings for the same work, so that opposing opinions clash at the same time.
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the first was a great record, then I lost sight
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However, excuse me, honestly I don't understand all this criticism about the graphics; it fits perfectly with the content.