marpado

The group wouldn’t be so bad, after all. But that "Apologize" overloaded with so many cheesy samples is just unbearable. That Timbaland has really torn my nerves; let me say it.

@GARDY, first of all, thank you for taking the time to read so many comments in that review. After that: I don't know if it came through in what I wrote back then, but personally I agreed with primiballi regarding the attribution of a certain value to Vasco's production up until a certain point (for me, all things considered, '93; for others, earlier or later). At the same time, I completely agree—actually, I agree even more—with the socio-cultural analysis that the good Stoney makes of the Vasco phenomenon: not only do I agree with him in terms of content, but also in form, in the anger. In Italy, Vasco Rossi has been elevated to a cultural phenomenon; degrees are even given for Vasco: the model (I quote Stoney) of the perpetual misfit, who always got 4 in school, who never wanted to do anything, least of all use his brain, but who still managed to make it in life, who became someone in spite of teachers, parents, and a society that, mean-spirited, told him what he should do: that's the cultural model spread by Vasco, impressive stuff. His "messages"—that is, sex, partying, messing around, and not much else—expressed in his second-grade Italian, are elevated to art, to poetry in Italy...can you believe it???? Such a travesty could only take root in Italy; such "music" could only find throngs of idolizing fanatics here. I'm sorry, GARDY, but in my opinion Stoney is absolutely right when he compares Vasco (at least the one from '90 onwards) to a mass phenomenon like Britney or Taricone. A phenomenon for the lowest masses, moreover: how else could one classify those beasts who throw bottles at the bands that perform before "Blasco," or who bury you in insults and grammatical errors if you even try to make a calm, minimum critique (try taking a look on YouTube, for example). In conclusion, GARDY, as has been said multiple times, feel whatever you want, but don't confuse crap with art, because the moment that mistake is made, it takes no time at all to demolish Vasco, his music, and his fans as an artistic-cultural phenomenon. A pastime, a little song to hum in the car or in the shower, a soundtrack to distant memories, sure, and nothing more though. Bye.

@CLAKO come on, keep going with the absurd fair, let's have some fun: now we would be the ones who don't argue and insult... BUT COME ON, if the typical average Vasco fan does nothing but spew insults and curses (you know 20 words of which 15 are insults, one is "Eeeeh" and 4 are legendary, Vasco, Blasco, figa) because he doesn't know how to respond to criticism... now it's the others who insult. Then oh, honestly, I don't feel like writing another lengthy post about that fool and his trained monkeys (the fans), it's honestly a waste of time. I invite you to go read the old reviews, especially "Basta Poco" by Primiballi... there you can really argue. But then come on, what is there to argue about? It doesn’t take much, I’ve already done it before, in one line, if you want I can repeat it in caps: "IGNORANT AND VULGAR GOAT WHO MAKES SHITTY MUSIC FOR IGNORANT AND VULGAR PEOPLE LIKE HIM." Where's the argument?

@CLAKO my dear, there's no need for you to brag; the few comments are due to the fact that there’s nothing more to say about Vasco Rossi anymore: a vulgar ignorant goat who makes poor music for people as ignorant and vulgar as he is. Stop, no point in beating around the bush, the harsh truth is this. Everyone has understood it, except of course for the sub-humans who continue to idolize him and give him 5 stars even when he releases objectively terrible stuff like this...

You say this is your first review, even in the form of a rant, and I would even forgive you for things like "honorius causa," but when you got to "the greatest local rocker," you really took it right out of my hands...

Here I am, I'm the first, me!!! Prrrrrrrrrrrrrrrrrrrrrrrrr!!!!

But excuse me, isn't Dea Musica the one with "com'è possssiiibileeah, che rendi tutto più possssibleeah, ssei la mmmmusicaaaah" or am I mistaken? Can you explain to me why you praise it so much, why almost everyone considers it one of Pelù's best solo works? Frankly, it seems to me a load of rubbish on the level of Io ci sarò, ToroLoco, and Amore Immaginato... then again, I don’t know, it's up to you.

@GARDY, please, "Basta Poco" by Primiballi, not that other one...

Can I? "The ideal model of all frustrated MILFs who don't want to age and at 50 go to the gym, dress and behave like their daughters, and flirt (and not only) with guys in their 20s. Pathetic. But a serious and sober twist? Absolutely not, right? I won't comment on the album, I haven't listened to it nor will I ever. The single, however, induces diarrhea."

"Attraction to the depressing, sick sound; a hunger for gloom"... but how, it's spring, the sun is shining, the days are getting longer, girls are shedding their clothes and you want to feel down? Well, these fans of Black-Suicidal-Death-Doom-Depressiv e-Comètristelavita-Oggimammazzo Metal are getting weirder and weirder...