GustavoTanz

Alexander, I’m surprised you didn’t realize that was a fake.

Panic, you’re an idiot. And the funny thing is that you’re laughing it off, but I really want to see what you’d say if they threatened you in your private life.

But no one can tell me yet if De-Cano was Poletti? :/

But between Starblazer and Lecciso, who is more trash?

I agree with DizionarioRock that Vasco Rossi has become "a piece of shit," and also that he saves himself on this CD. It's just that, for me, he also saves himself on four other albums (including a live one) that will be released later. I've already said everything there is to say. Great review. P.S.: Italy still has meaning, we just need to look more closely...

Poletti...brrrrrr...he was right one time out of ten, and others have already expressed their opinions on the rest. But is it true that he also wanted to be called De-cano? I remember many people asking that, and I still wonder about it too... p.s.: in the previous message I wrote "sono" instead of "solo"...damn rush in writing.

Dude, look, when Testi was around, I wasn't there! I arrived much later, but I've checked out the site over time! And then... really, Mauro = Zigghio? If it's exactly like you say, I'm surprised. Someone who on one hand reviews Ministry positively (Zigghio) and on the other (review of "Houses Of The Molè") calls them a hypocritical band that only cares about the war against Bush. Two-faced.

Boredom, Vrensis was indeed a case study, but I would also mention a certain MAURIZIO TESTI aka MAURO DA ROMA aka VABBE'! The one who said that nu-metal was stuff for veteran communists (?) and that true metal looked to the right... what a poor guy! Not to mention when he referred to Tortoise, Slint, Mercury Rev, and others as "music for the poor, the failed"...

And in the end, I did it. I bought it yesterday from Feltrinelli (couldn't even find it in the Discoteca Laziale or IBS catalog, bah... anyway, I barely use them for now), and I set myself to listening with good spirit. Right from the first notes, I too felt enchanted by those sounds that, for a band like Julie's Haircut, were almost unusual. I've always liked them, but at first, I considered them an "ordinary" rock band. I would have never expected such a (positive) turn. "Origins" is damn hypnotic, "The Dead Will Walk The Earth" almost paranoid (in the positive sense of the term), not to mention the second disc (spectacular "La Macchina Universale," to name one)... in short, one of my favorite albums made in Italy from 2009, without a doubt! P.S.: I had forgotten to rate the review in my first comment on the album in question (when I hadn't yet gotten it)... so here's the rating (even though, I reiterate, I'm not and will never be a foreign-phile: I look from one side and the other at the same time and see what I like).

F*** OFF!