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Saying what the best Wilder film is, is like having to choose the best Frank Zappa album... so it comes down to personal preferences shaped by memories or feelings... for the "serious" Wilder, I vote for "Sunset Boulevard," actually "The Front Page"... for the "comedy" Wilder, I vote for "Some Like It Hot," actually "Kiss Me, Stupid"... but how much I love cinema "Not for money but for cash."
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the review is better than the movie.........
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Well, 300 like Miller's comic isn't too bad, a few years ago I happened to see Los Lobos (that is, los Lobos) in Salerno with only about a hundred spectators and the ticket costing just 10 euros! If I had been ichnusiano, I wouldn't have missed it, especially to see my buddy Fariselli after so many centuries.
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It's impossible to choose the best track by Zappa; perhaps my vote goes to Brown shoes don't make it, found in Absolutely free. In later live versions, it becomes increasingly beautiful and different.
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Lariana, the King Kong you downloaded will be one of the final tracks of "Uncle Meat," a 1968 album by Zappa.
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Sorry for the interruption, but we're talking about FZ and I’m already prostrated towards the grave. I understand that "We're in it....." might leave puzzled those who aren't truly zappian in soul, body, and guts, but it's one of Uncle Frankie's best albums. Among the "easier" ones, there's the live album from '88 "Broadway the hard way" with a lot of unreleased tracks and... Sting as a guest.
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Poletti, if by "classic" road movie we mean a type of cinema where the road becomes a necessary journey to undertake in order to assert one's dissatisfaction with a contingent situation that can be constituted by the very constraints of a suffocating society from which the individual is almost always eventually excluded (do you know a road movie with a happy ending?), then a sophisticated comedy like "It Happened One Night" is, for me, I repeat for me, not a "classic" road movie.
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Czech director? Ulmer was Austrian and had collaborated with Murnau... Detour for me represents the first "classic" road movie. The road as an escape from society; Al becomes an outcast fleeing the moment Heskell dies. He is not responsible for it, but he thinks he is now outside the accusatory community at the moment he believes he might be blamed. And then there is the flight towards nothingness, indeed the annihilation of himself. You're right, many films have something of Detour, but you forgot to mention the director who felt its influence the most, David Lynch.
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And I don't understand what the problem is if my personal opinion about your personal opinion is the following: "there has never been a bigger nonsense since man invented the horse" (from Febbre da cavallo, Steno 1976). My musical hero is Brian Kild from Electric Peace, but I make sure not to say that he is the most brilliant alongside Zappa, or if I do, I expect at least a barrage of scoffs, and I wouldn’t say that the scoffers are contentious..........
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For your review of the Clash, someone reprimanded me for being a bit too harsh on you. Now I’ve read this and with great calmness, my fatherly advice is to turn to horse racing, as a horse though!!! The second paragraph is absolutely ridiculous... Van Halen changed the history of rock?!? Father Elvis forgive him for he knows not what he says.