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I’ve seen Mulholland Drive and Badalamenti isn’t the producer but one of the mafia brothers who says "this is the girl"...
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...come on, he's reached X now, maybe he'll do a review on Zappa or ZZ Top and then he'll get off our backs...
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what a fucking description: the era that comes after the Sex Pistols and fully involves Joy Division....
Anyone who stops this disgrace in any way will have my eternal gratitude and maybe even a (even false) testimony in favor at the murder trial.
And let's also say that John Doele released a solo album: "meet john doele".
Billy Zoom was heavily influenced by rock'n'roll... perhaps it would have been strange if he had been influenced by Algerian rai... damn it there's no zero.........
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I wanted to say that this is a magnificent film by a master who, 15 years later, returns to discuss violence and teaches everyone anew, highlighting the similarities between cop and criminal, emphasizing the neutrality in capturing them, praising the exquisite technique of editing in the production of counterfeit money... but after 150 posts that have nothing to do with the film, what the hell is the point?
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The rabbit sitcom isn't placed there by Lynch to beat up the media system and the enslaved audience; Lynch couldn't care less about these low-level director operations. Instead, in his nonsense, it’s part of the film... "nobody called today"... and yet the phone rings. I remember an interview with Lynch where he was asked to clarify why the rabbits, and he refused any explanation.
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Yes, but I would have loved to see him in some Scorsese film, like Mean Streets... but why the hell didn't he ever call him?
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In Cazale, it was death in 1978 that deprived him of the chance to act in other roles; after all, I remember him in only five films, each one better than the last: the two Godfathers, The Conversation, The Deer Hunter, and this one here... do you remember any others?
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I have the utmost respect for Rollins, whose "Come in and Burn" is currently playing in my compact. But just as each of us has a personal opinion of paradise, we also have a fundamental group opinion essential to the history of rock... in the end, there will be at least twenty thousand users on debaser.
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@poletti, if it weren't for you recommending Al Pacino's movies like the cinema lovers do... how can a cinema lover have never seen this film?!?
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Well, it’s a good review for those who have never seen the film. For those who have been struck by it, I don’t think the plot matters much; what’s more important is recognizing that besides the action, Lumet, as usual, also delivered a social critique: the role of television, Sonny realizing he can use it to influence public opinion, the complexity of the characters (far from simplicity), especially Sal, a fervent Catholic who robs a bank because it is evil, ...and so many other aspects that this review doesn’t do justice to...