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let's talk about cinema and modestly I think I'm less naive than the inhabitants of Asolo, so when I saw Tinto Brass associated with Poletti, I told myself: unfortunately, he won't be reviewing tits and asses... but honestly, I didn't think he would bring back this divertessement of Brass with Sordi, who plays more than one character. I was thinking more along the lines of L'Urlo or Dropout, which truly give full credit to the bitter, complex, and experimental first part of Brass's career. If there's something to download, maybe it's these; and for those who love cinema, it's practically a crime not to know that he made films like these...
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The 10,000 Maniacs from Merchant were from the New York area, but it’s true that they resemble R.E.M.; they might be a bit more new wave, and they also had the same producer as R.E.M., Joe Boyd.
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I don't know what you think about music reviews; this one doesn't belong to that category. It might be a nice stylistic exercise, but for those who want to understand something about the music contained in this record, they can go fuck themselves.
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The confusion about Stipe needs to be clarified: it’s not him playing with the B-52's, but Kate Pierson, with her unmistakable voice, duetting with Stipe on the track "Shiny Happy People," which is on *Out of Time*.
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while clicking the potpourri, a "u" slipped away from me; use the leeks for other purposes... In fact, B 52 is the name of the US bomber but also of a hairstyle that originated in the 60s, otherwise known as beehive, resembling precisely the gigantic head of the flying fortress...
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A good review to introduce Black Sabbath to the readers of Famiglia Cristiana... I would have bet that the rhythm of Electric Funeral was ......funereal. Listen to Rat Salad and then right after Moby Dick by the Zep...
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To me, Mano Negra has always given the impression of a useless group that imitated The Clash. The only French band I've liked is Magma from the 70s (great album Mekanik Destruktiw Kommandoh). I don’t know these guys except for the singer’s exploits; the reviews and the gossip-style comments don’t really add anything to help me get to know them musically... but I’ve already decided I can skip them, I don’t think I’ll miss anything... no hard feelings, okay?
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Forget Fogerty, who has a powerful, striking, and expressive voice; Bangs’ is more monotonous and annoyed rather than angry.
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but I don’t think you should have trouble finding at least "Jook Savages on the Brazos" but it doesn’t seem to me that Quine is there, although the record sounds like Richard Hell, with the difference that Bangs's voice is less tough....
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The rating?... for me no less than four, the referenced tracks can also be found in the repertoire of Pere Ubu and Dead Boys.