Terry Brooks and the Strange Translucent World
Terry Brooks and the Strange Translucent World
30 may 08
Voto:
no worries, I think very few remember it, but I posted some samples; if they include them, you'll get an idea of Brooks' devotion to Hendrix. Another guitar hero from that era is still missing, Randy Holden with the fantastic "Population II" from 1969. Brooks is more of a "redneck"...
Terry Brooks and the Strange Translucent World
Terry Brooks and the Strange Translucent World
30 may 08
Voto:
Well done, that's exactly it; it's clear that Terry hasn't been forgotten by music connoisseurs like you.
Alexander "Skip" Spence Oar
Alexander "Skip" Spence Oar
26 may 08
Voto:
Il_Paolo, in Kim Fowley's "Outrageus" (also from 1968...), there is an excellent review by vellutogrigio, shamefully underappreciated for one of the key artists of counterculture rock. I'm fond of the next album, "The Day The Earth Stood Still." Who knows...
Alexander "Skip" Spence Oar
Alexander "Skip" Spence Oar
25 may 08
Voto:
I apologize to Lewis, but like an idiot, I checked if there was a review by entering Alexander Skip Spence without using quotes for "Skip," and if you try it too, you'll see that nothing comes up. If I had seen it already reviewed (and moreover by Tollani, who is a smart guy), I wouldn't have made this duplicate. Anyway, do as Skip... feel free to smash me with hammers!
The Misfits Static Age
The Misfits Static Age
23 may 08
Voto:
Let's clarify, in 1978 no one was interested in releasing a full LP by the Misfits, and what came out was an EP on the Plan9 label with four tracks: Bullet - We are 138 - Attitude - Hollywood Babylon, which I have always personally known as titled Bullet. The other tracks recorded at the time, some were released on other EPs (e.g. Beware which contains Last Caress), while others remained on the back burner until 1995.
The Fleshtones Live @ Musicdrome-Milano, 18/05/08
The Fleshtones Live @ Musicdrome-Milano, 18/05/08
21 may 08
Voto:
Malley, I believe it's the fate of all those revival and garage bands that emerged back in the day, like Fleshtones, Fuzztones, Lyres, Chesterfield Kings, etc. The proof is that even though the Fleshtones made a great album like Roman Gods, they were never reviewed. After all, they have always been a niche band and never filled stadiums. I would be surprised if they did that now. I saw them decades ago, and they dragged a hundred people into absolute fun with exceptional skill. Just look at Keith Streng, who created an excellent side project, The Full Time Men, with the collaboration of talents like Peter Buck from REM, Di Nizio from the Smithereens, Dave Faulkner from Hoodoo Gurus, and nobody cared. Or almost.
Tea & Symphony An Asylum For The Musically Insane
Tea & Symphony An Asylum For The Musically Insane
21 may 08
Voto:
Rereading the review, I remembered that the rhythm section from Tea&Symphony, along with the keyboardist Norman Haines (the one from Den of Iniquity), formed the Locomotive, an unfortunate band that released only one album in 1970, "We Are Everything You See," a strangely rich psychedelic contamination featuring brass instruments, including the saxophone of Dick Heckstall-Smith and the flute of Chris Wood (later with Traffic). For lovers of the genre, it is highly recommended.
Butthole Surfers Hairway to Steven
Butthole Surfers Hairway to Steven
20 may 08
Voto:
...and yet there was a lysergic version of "Hurdy Gurdy Man" by Donovan that, when played at high volume, guarantees a trip.
Butthole Surfers Hairway to Steven
Butthole Surfers Hairway to Steven
20 may 08
Voto:
I agree on "ploughd" mocampo, the best (that is, the best worst) the Butthole had already given, but I think you’ll like this.
Sean Penn Into The Wild
Sean Penn Into The Wild
20 may 08
Voto:
@psycho I think you're looking at it the wrong way. For me, the film doesn't seek to praise the twenty-year-old philosopher but rather to describe the disorienting effect of a boy who has never left college and throws himself onto the streets with all his contradictions. It's disorienting precisely because those he comes into contact with are fascinated by a young kid out of depth, and this says everything about the mediocrity of their lives. What I found rhetorical were the Italian-subtitled lyrics of Vedder's songs.
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