Kyrielison

Encyclopedic, but not academic. Perfect, for me.

You are a wonder. Keep it up.

I do not completely agree. "With whom?", you may ask... First of all, with myself. BUT in this particular case, a bit with everyone. I sent a couple of emails to ask for clarification regarding the inclusion of one of my writings in the literary cases (the last time was for this: Kunst Der Fuge - Johann Sebastian Bach - Recensione di Kyrielison As I mentioned then, I do not question the choice of the site's "line," whose editors RIGHTLY decide autonomously what to publish. I do not even think that the "literary cases" are a shame or the Cayenne of a reviewer. On the contrary, sometimes they are a recognition. Something more. However, there is the fact that sometimes things are published on the home page that are not only technically bad but absolutely VOID as simple and banal reviews. And the worst part is that the "literary cases" section is practically unreachable, due to a precise choice by the editorial team. This makes it something less. That's just my opinion. Thank you.

Aware of the risk of a collective "Who cares", I solemnly state that for me, Fossati remains the most overrated number one in Italian music.

And then, you know, skipping the first paragraph - which you probably wrote in English and turned into Italian with an automatic translator, otherwise it doesn't make sense - the entire second one is cheerfully copied from Wikipedia (http://it.wikipedia.org/wiki/Johann_Sebastian_Bach). No, I'm sorry... You can't do that with Bach. He simply doesn't deserve it. Repent.

God forgive you. I can't.

I, look, I'm sorry, I don't vote... Because I didn't understand the review.

Oh, my apologies.. I reread it. You had written it correctly. I'm sorry.

I almost forgot. I might be mistaken... But I believe that in Mozart's Lacrimosa he wrote up to the eighth measure, and not from the eighth onward. But I'm just a little picky...

Mine was half a joke. Anyway, you’re right, Tinybanks... BUT the Lacrimosa only goes up to about the middle of the composition. If you consider that ALL the orchestration was written by Süssmayr, I think there’s no more than 40% of Mozart in there. For me, that’s little. And you can tell. I emphasize "for me."