Battlegods

DeRank : 19,86 • DeAge™ : 6652 days

Voto:
Set up the review with paragraphs; it’s definitely easier to read. Anyway, single shock with sitar and plenty of innovation. I’ll risk a 4 because my favorite is "Shapes of things" (half proto punk, even better than the Who's "I can see for miles").
Voto:
This album absolutely deserves a 4! "Hymn to hymn": beautiful things!
Voto:
Revision of the review: «*Yow». See the old version link rotto
Voto:
"Being Boring" is one of those melodies that brings a carefree, relaxed smile to your face, in the style of "Getting away with it."
Voto:
I was going back to the first song of this album and I stumbled upon your review! An alienated work like "Paradieswart," but much more of a bad trip like "Sister Rayiano," kind of like the intro of "Phallus Dei." I adore and praise "Kanaan," even superior to the title track "Phallus Dei," and I often jam with the ending of "Yeti," the one with the violin and beautiful sounds.
Voto:
I believe this version of "La luna nuova" beats the original 100 times over!
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How many times do I try to imagine John’s voice in “Vienna” (I mean the title track, a moving suicide if I have to picture the whole album). It seems like a silly thing, but the obligatory and dependent lifestyle of being on the road can trap you in a psychological box. Well, it’s not that they should have done six-month tours (or should they?! for sure with Midge, the monolithic on-the-road sections came along, between frivolous success and bland playback appearances on TV). “Hiroshima” at the Old Test has a heavy electronics feel, and I still don’t know who to choose between it and that sax dandy longue style of the original. I’ll take both songs, but not both phases (Foxx is ever).
Voto:
Mh, after years of listening, I can't praise them anymore like Caravan, Hatfield, or Soft (even though they're in the same vein but with different characteristics).
Voto:
Indeed, all of Albini's production makes you feel a surge of violence and liberating screams. Dangerous time.
Voto:
These are the beautiful things I await from the "here and now," from the "modern."